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<p>A recent study has revealed the substantial impact of the Hollywood strikes on the Los Angeles entertainment workforce. The strikes, which have been a major point of discussion in the industry, have led to a significant number of job losses, affecting a wide range of professionals in the field.</p>
<p><strong>Key Takeaways:</strong></p>
<ul>
<li>17% of Los Angeles-based entertainment workers lost their jobs during the strikes.</li>
<li>The study was conducted by the Otis College of Art and Design.</li>
<li>The Writers Guild of America (WGA) strike ran from May 2 to September 27.</li>
<li>The SAG-AFTRA strike occurred from July 14 to November 9.</li>
<li>A total of 24,799 entertainment industry employees in Los Angeles were let go.</li>
<li>The most affected roles included actors, writers, camera operators, editors, and other media occupations.</li>
</ul>
<p><strong>The Impact of Strikes on Employment</strong></p>
<p>The study, the first released under the Otis College Report on the Creative Economy, analyzed the effects of the WGA and SAG-AFTRA strikes. It found that during the period from April to October, which was the focus of the study, there was a rapid decline in employment for actors and writers, as well as for other roles such as camera operators, editors, and various media occupations.</p>
<p><strong>Long-Term Decline in Hollywood Employment</strong></p>
<p>The report suggests that the 2023 strikes should be seen as part of a longer-term decline in Hollywood employment. This includes the decline of what is known as Peak TV. Since the post-pandemic high point in August 2022, the film and TV industry's employment has shrunk by 26%. The strikes have been identified as a factor that accelerated an industry contraction that was already underway.</p>
<p><strong>Additional Challenges Exacerbated by Strikes</strong></p>
<p>The study highlights several challenges facing Hollywood that were worsened by the strikes. These include an oversupply of content, a weaker investment environment, technological disruption, and foreign competition. The analysis for the study was conducted by Westwood Economics and Planning Associates, using data from the Bureau of Labor Statistics (BLS) and California Employment Development Department (EDD), as well as reviewing job listings and interviewing industry officials.</p>
<p><strong>The Otis College Report on the Creative Economy</strong></p>
<p>The Otis College of Art and Design has developed the Otis College Report on the Creative Economy as a resource to understand the health of the entertainment industry. This report is crucial for both the state of California and students at Otis College, who are planning careers across creative sectors. The full study, which is the first of two focusing on the entertainment industry, is available for review, with the second report expected to be released in early 2024.</p>
<p><strong>Conclusion</strong></p>
<p>The findings of the study underscore the significant impact of the Hollywood strikes on the local entertainment workforce. The job losses experienced by a considerable portion of the workforce highlight the need for stability and sustainable practices in the industry. As the entertainment sector continues to navigate these challenges, the insights from studies like this are invaluable for understanding the broader economic and employment trends in Hollywood.</p>
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New York NY USA-July 14, 2023 Members of SAG-AFTRA and other union supporters picket outside the HBOAmazon offices in the Hudson Yards neighborhood in New York (rblfmr/shutterstock.com) 

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Hollywood Strikes Lead to Significant Job Losses in LA Entertainment Sector

<p>Jennifer Lopez is set to star in a feature adaptation of the 1993 Broadway musical "Kiss of the Spider Woman." The film, to be directed by "Dreamgirls" filmmaker Bill Condon, is based on the novel by Manuel Puig and the musical book by Terrence McNally. The story is set in an Argentinian prison in 1981, where Lopez will play Aurora, a fantasy figure imagined by Luis Molina, a gay hairdresser serving a sentence for allegedly corrupting a minor. The musical is known for its compelling narrative and complex characters, blending reality with fantasy.</p>
<p><strong>Key Takeaways:</strong></p>
<ul>
<li>Jennifer Lopez will star in the musical film "Kiss of the Spider Woman."</li>
<li>Directed by Bill Condon, known for "Dreamgirls" and "Beauty and the Beast."</li>
<li>The story is set in an Argentinian prison in 1981.</li>
<li>Lopez's character, Aurora, is a fantasy figure in the mind of a fellow prisoner.</li>
<li>The film is independently financed and currently casting for the role of Molina.</li>
<li>Rehearsals to start in February, with filming in April in New Jersey.</li>
</ul>
<h2><strong>A Blend of Fantasy and Reality</strong></h2>
<p>The musical revolves around the character of Luis Molina, who, to escape the horrors of imprisonment, imagines movies starring Aurora as a classic silver screen diva. This includes her role as the spider woman, who kills with a kiss. The narrative takes a turn when Molina's cellmate, a Marxist named Valentin Arregui Paz, arrives, leading to an unlikely bond between the two.</p>
<h2><strong>Casting and Production Details</strong></h2>
<p>The production team is currently searching for an unknown actor to play Molina. The character is described as an openly queer and effeminate gay man, possibly on the non-binary/trans femme spectrum. The film is set to begin rehearsals in February, with filming scheduled for April in New Jersey.</p>
<h2><strong>Previous Adaptations and Accolades</strong></h2>
<p>"Kiss of the Spider Woman" has seen previous successful adaptations, including the 1993 musical and a 1985 feature film directed by H&eacute;ctor Babenco. The musical won seven Tony Awards, including for best musical, and William Hurt won the Oscar for best actor for his portrayal of Molina in the 1985 film.</p>
<h2><strong>Bill Condon's Musical Expertise</strong></h2>
<p>Bill Condon, the director, is renowned for his work in movie musicals. His credits include writing the screenplay for 2002's "Chicago," directing 2006's "Dreamgirls," 2017's "Beauty and the Beast," and co-writing the screenplay for 2017's "The Greatest Showman." He also directed both parts of "The Twilight Saga: Breaking Dawn" and the 2019 thriller "The Good Liar."</p>
<h2><strong>Jennifer Lopez's First Full-Fledged Musical Role</strong></h2>
<p>Despite a successful career in both music and film, this project marks Jennifer Lopez's first role in a full-fledged musical. Lopez, known for her portrayal of the late Tejano star Selena in 1997's "Selena," is also set to release her ninth studio album, "This Is Me&hellip; Now," early next year.</p>
<h2><strong>Production Team</strong></h2>
<p>The film is being produced by Barry Josephson, Tom Kirdahy, Greg Yolen, and Matt Geller. Lopez, along with Elaine Goldsmith-Thomas and Benny Medina, are executive producing on behalf of Nuyorican Productions.</p>
<h2><strong>Conclusion</strong></h2>
<p>"Kiss of the Spider Woman" promises to be a captivating musical film, blending a strong narrative with powerful performances. With Jennifer Lopez in a leading role and Bill Condon's direction, the film is poised to be a significant addition to the musical genre.</p>
<p class="p1"><strong>More Project Casting Entertainment News:</strong></p>
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Jennifer Lopez to Star in 'Kiss of the Spider Woman' Musical Film Directed by Bill Condon

<p>Mahershala Ali, the acclaimed actor set to star in Marvel's upcoming "Blade" movie, has recently expressed his encouragement about the film's progress and direction. Despite a tumultuous development period, Ali remains optimistic about the project, which is now slated for a November 7, 2025 release.</p>
<p><strong>Key Takeaways:</strong></p>
<ul>
<li>Mahershala Ali stars as the vampire hunter in Marvel's "Blade."</li>
<li>The film has experienced significant overhauls during its development.</li>
<li>Original director Bassam Tariq and writer Stacy Osei-Kuffour left the project.</li>
<li>Yann Demange is now directing, with Michael Green writing the script.</li>
<li>The release date has been pushed to November 7, 2025.</li>
<li>Ali is encouraged by the current direction and team on the project.</li>
</ul>
<h3><strong>A Rocky Road to Production</strong></h3>
<p>Marvel first announced "Blade" at Comic-Con 2019, generating significant excitement among fans. Initially, "Mogul Mowgli" director Bassam Tariq was set to helm the project, with Stacy Osei-Kuffour handling the script. However, Tariq exited the film over a year later, just two months before the scheduled start of filming. This departure led to a delay in the film's release, initially set for November 3, 2023, but later pushed to September 2024.</p>
<h2><strong>Overhauls and New Direction</strong></h2>
<p>Following these setbacks, "Lovecraft Country" director Yann Demange was brought on board. The film's script also underwent significant changes, with rumors of overhauls amid Hollywood strikes. Marvel eventually hired Michael Green, known for his work on "Logan" and "Alien: Covenant," to write the movie. Amidst these changes, there were reports that Ali was considering exiting the project due to script issues. However, Marvel's decision to bring in Green for a fresh start seems to have assuaged these concerns.</p>
<h2><strong>Ali's Encouragement and Marvel's Strategy</strong></h2>
<p>Despite the challenges, Ali told Entertainment Weekly that he is "sincerely encouraged" by the current state of the project. He expressed confidence in the new direction under the leadership of Demange and Green. Interestingly, there is speculation that Marvel is aiming to produce "Blade" on a budget of less than $100 million, marking a departure from their usual big-budget approach.</p>
<h2><strong>Conclusion</strong></h2>
<p>The journey of Marvel's "Blade" to the big screen has been anything but smooth. However, with a new director and writer at the helm and a star like Mahershala Ali leading the cast, the project seems to be back on track. Fans eagerly await the revival of the iconic vampire hunter character, hoping that the film will live up to the high expectations set by Marvel's previous successes.</p>
<p class="p1"><strong>More Project Casting Entertainment News:</strong></p>
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Mahershala Ali | Blade | Blade Casting Calls

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Mahershala Ali Expresses Optimism for Marvel's Upcoming 'Blade' Movie

<h2><strong>Initial Reactions for 'Wonka' Praise Timoth&eacute;e Chalamet as "Infinitely Charming" and the Film "Shockingly Good"</strong></h2>
<p><span style="font-weight: 400;">The initial reactions to Timoth&eacute;e Chalamet&lsquo;s highly anticipated Wonka are officially here. The prequel to the famous Charlie and the Charlie Factory has received its first round of critics. The film seems to have garnered an overwhelmingly positive review from most, winning over critics.</span></p>
<p><span style="font-weight: 400;">Directed by Paul King, the cast sees Chalamet star as the famous chocolatier. The film is set years before Wonka opened his world-renowned chocolate factory and follows the young man as he opens his first shop. The film also sees Calah Lane, Keegan-Michael Key, Matt Lucas, Sally Hawkins, Rowan Atkinson, Olivia Colman, and Hugh Grant cast alongside Chalamet.</span></p>
<p><span style="font-weight: 400;">Critics like Courtney Howard were surprised, calling Wonka &ldquo;a winning confection&rdquo; and describing it as a film &ldquo;with perfect amounts of charm, whimsy &amp; poignancy, powered by pure imagination &amp; bright, nimble musical numbers. Timoth&eacute;e Chalamet is a charisma factory. His full committal is intoxicating. Hugh Grant in exceptional IDGAF mode.&rdquo; Others agreed that Chalamet&rsquo;s charm was infectious and the film was filled with joy, making it an excellent to-be holiday classic. The film is expected to make $35 million to USD 40 million at the pre-Christmas box office. Wonka opens worldwide on December 15.</span></p>

Timothee Chalamet at the 76 Venice International Film Festival 2019. The King photocall. Venice (Italy), September 2nd, 2019 (Denis Makarenko/Shutterstock.com)

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Early Reactions for 'Wonka' Praise Timothée Chalamet as "Infinitely Charming"

<h2><strong>Bob Iger, the CEO of Disney, recently addressed the challenges faced by the film "The Marvels" at the DealBook Summit in New York, as reported by CNBC. </strong></h2>
<p><span style="font-weight: 400;">Iger pinpointed a need for more close supervision during the film's production, primarily due to constraints imposed by the COVID-19 pandemic. He suggested that this, combined with Disney's push to increase content for its streaming service, Disney+, made it hard for studio heads to effectively manage the surge in new projects.</span></p>
<p><span style="font-weight: 400;">"The Marvels," starring Brie Larson, has seen modest box office returns, garnering $77 million domestically and $187 million globally since its release in November. This performance marks a low point in the Marvel Cinematic Universe's history, with the film potentially being the first in the franchise not to hit the $100 million domestic threshold.</span></p>
<p><span style="font-weight: 400;">Iger highlighted the difficulties of shooting the film during the pandemic, citing reduced on-set oversight by studio executives. This situation followed a trend of underperformance for Disney, with other titles like "Ant-Man and the Wasp: Quantumania" and "Indiana Jones and the Dial of Destiny" also not meeting expectations.</span></p>
<p><span style="font-weight: 400;">This year, for the first time since 2014 (excluding the pandemic years of 2020 and 2021), Disney might not release a film grossing over a billion dollars. This starkly contrasts with 2019, when the studio had multiple billion-dollar successes, including "Avengers: Endgame" and "The Lion King".</span></p>
<p><span style="font-weight: 400;">Reflecting on Disney's past successes, Iger acknowledged the need for more realistic expectations moving forward. He defended the production of sequels, noting their past success and quality, but admitted that storytelling often needed to match the original's strength, which could be problematic.</span></p>
<p><span style="font-weight: 400;">According to CNBC, Iger emphasized the importance of having a compelling reason beyond financial motives to produce a sequel. He stated that Disney will continue making sequels only if the underlying story is worthwhile.</span></p>
<p><span style="font-weight: 400;">"The Marvels" had a disappointing start, with the lowest opening weekend in the Marvel Cinematic Universe, earning $47 million domestically. This was a significant drop from the previous standard set by "The Incredible Hulk" in 2008. The film's performance worsened in its second weekend, experiencing the most significant drop for a second weekend in the MCU's history.</span></p>
<p><span style="font-weight: 400;">Iman Vellani, the star of "The Marvels," in an interview with Yahoo Entertainment, expressed her detachment from the film's box office results, stating that it was beyond her control and her focus was on the positive reception from her close circle and the enjoyable experience of the movie.</span></p>
<p><span style="font-weight: 400;">"The Marvels" continues to show in theaters across the country.</span></p>

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‘The Marvels’ Suffered From a Lack of ‘Supervision on the Set,’ Says Bob Iger; Disney CEO Admits Studio Has ‘Made Too Many’ Sequels Recently

<h2><strong>Director Taika Waititi has finally given fans a preview of what is to come for his Star Wars film.</strong></h2>
<p><span style="font-weight: 400;">Sharing his vision for the upcoming movie, Waititi said he is not looking to rush the project and wants to get it right for legacy fans. He said on The Kelly Clarkson Show, Yeah, I&rsquo;ve been developing that for a few years. But, I think, with any film, but that one in particular, it&rsquo;s something I&rsquo;d like to get right, so I don&rsquo;t want to rush it. It&rsquo;s just going to bobble along on the side. It&rsquo;s exciting.&rdquo; He also told fans, &ldquo;I want to capture that joy and the entertainment of those early ones. The Empire Strikes Back and The Return of the Jedi. Yeah, so I&rsquo;m trying to figure that out&hellip; It&rsquo;ll happen!&rdquo;</span></p>
<p><span style="font-weight: 400;">In terms of how he will be injecting his signature flair into the film, he playfully told the fans, &ldquo;It will be&hellip;a Taika Waititi film.&rdquo; He joked, &ldquo;It&rsquo;s gonna piss people off.&rdquo; While he does aim to put his spin on things, he also wants to get the film right, staying true to the LucasFilm franchise. Stay tuned for more information.</span></p>

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Taika Waititi Shares His Vision for Upcoming 'Star Wars' Film

<h2><strong>Max's Exciting December 2023 Lineup: New Arrivals and Departures</strong></h2>
<p><span style="font-weight: 400;">As the festive month of December 2023 approaches, Max is set to refresh its content library with an exciting array of new arrivals, alongside bidding farewell to several of its current titles. This update promises to keep subscribers engaged with a blend of classic favorites, new originals, and much-anticipated shows and movies.</span></p>
<h2><strong>New Additions to Max in December 2023</strong></h2>
<p><span style="font-weight: 400;">December brings a treasure trove of entertainment to Max's platform. A notable highlight is the highly anticipated stage adaptation of the beloved animated film, "Spirited Away: Live on Stage." Fans of Oprah Winfrey will be delighted with the premiere of "Oprah and The Color Purple Journey," a deep dive into the journey of this iconic film and novel.</span></p>
<p><span style="font-weight: 400;">True crime enthusiasts can look forward to "Murder in Boston: Roots, Rampage &amp; Reckoning," an in-depth exploration of a gripping case. The intriguing documentary "Time Bomb Y2K" is set to premiere, offering insights into the infamous Y2K scare at the turn of the millennium.</span></p>
<p><span style="font-weight: 400;">Max's original series are included. The season finales for "Julia," "Bookie," and "Rap Sh!t" are scheduled, promising exciting conclusions to this popular series.</span></p>
<h2><strong>A Cornucopia of Cinematic Gems</strong></h2>
<p><span style="font-weight: 400;">The first of December ushers in a host of movies spanning various genres and eras. Classic espionage enthusiasts can indulge in multiple James Bond titles, including "From Russia with Love" and "Goldfinger." For those seeking a blend of adventure and comedy, the "Bill and Ted" series brings its unique charm to the platform.</span></p>
<p><span style="font-weight: 400;">Contemporary cinema is well-represented with titles like "Mad Max: Fury Road" and "Jurassic World," offering high-octane entertainment. The list also includes family-friendly options like "Ramona and Beezus," ensuring entertainment for viewers of all ages.</span></p>
<p><span style="font-weight: 400;">The holiday spirit is in full swing with "Holiday Party with Andrew and Zoe" and various OWN Holiday Movies, like "A Christmas Serenade" and "The Christmas Detective." For younger audiences, "Teen Titans Go!: Great Holiday Escape &amp; Christmas Magic" adds animated fun.</span></p>
<p><span style="font-weight: 400;">Max Originals are to be noticed. "Boom Boom Bruno" and "Elmo &amp; Tango Holiday Helpers" are set to bring unique stories to the screen. The documentary "Sergio Leone: The Italian Who Invented America" offers a deep dive into the life and legacy of the legendary filmmaker.</span></p>
<h2><strong>Saying Goodbye: Titles Leaving Max</strong></h2>
<p><span style="font-weight: 400;">As new titles make their way to Max, several others are set to depart. This includes the entire "Annabelle" series, known for its chilling narrative in the horror genre. Fans of the "Final Destination" series will also need to hurry, as several titles from this franchise are leaving.</span></p>
<p><span style="font-weight: 400;">Classic movies like "Spotlight" and "Beautiful Creatures" are also on the departure list, along with the action-packed "The Man From U.N.C.L.E."</span></p>
<h2><strong>Departures Throughout December</strong></h2>
<p><span style="font-weight: 400;">The early days of December will see the exit of "Stath Lets Flats" and "Long Live the Royals." Mid-month departures include "Entourage" and "Beah: A Black Woman Speaks."</span></p>
<p><span style="font-weight: 400;">As December draws to a close, many titles will leave Max. This includes a range of genres from the family-friendly "Elf" and "A Christmas Story" to the action-oriented "The Texas Chainsaw Massacre" series.</span></p>
<h2><strong>A Variety of Genres</strong></h2>
<p><span style="font-weight: 400;">The departing titles offer a diverse range of genres, ensuring that there's something for every viewer to catch before they leave. From the comedy of "Elf" to the thrilling narrative of "The Texas Chainsaw Massacre," the departure list is as varied as it is extensive.</span></p>
<h2><strong>Final Thoughts</strong></h2>
<p><span style="font-weight: 400;">Max's December 2023 lineup blends nostalgia, innovation, and entertainment. While it's always bittersweet to see titles leave, the influx of new content promises to keep Max's library fresh and engaging. Whether you're a fan of drama, comedy, action, or documentaries, Max's December offerings are sure to have something to pique your interest. So, get ready to explore these new titles and catch up on the departing ones before they're gone.</span></p>

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Everything Coming To and Leaving Max in December 2023

<h2><strong>In a recent media event held in New Zealand, acclaimed filmmaker James Cameron shared insights about the ongoing development of the third installment in the Avatar series.&nbsp;</strong></h2>
<p><span style="font-weight: 400;">He described the post-production phase as particularly intense and time-consuming.</span></p>
<p><span style="font-weight: 400;">Speaking to John Campbell, the lead reporter for 1News, Cameron remarked, "We are currently immersed in an intensive two-year post-production phase." He further unveiled the planned release date for the movie, stating, "The target is Christmas 2025." This announcement comes after Disney's earlier declaration in June, which indicated a delay in releasing the subsequent three Avatar sequels, extending the timeline to 2031. Although the original plan was to launch each new Avatar movie at two-year intervals, with the third installment expected in 2024, the revised schedule now sets the premiere of Avatar 3 for December 19, 2025, followed by Avatar 4 on December 21, 2029, and Avatar 5 on December 19, 2031. This means the final film will debut 22 years following the original Avatar.</span></p>
<p><span style="font-weight: 400;">Cameron also hinted at introducing a new, more hostile Na&rsquo;vi tribe in Avatar 3. He reaffirmed his commitment to filming all upcoming sequels in New Zealand, expressing his intention to continue making movies there indefinitely. He disclosed his plans to become a New Zealand citizen by 2024.</span></p>

London, United Kingdom - December 04, 2022: James Cameron attends a photocall for "Avatar: The Way Of Water" at Corinthia London in London, England. (Fred Duval / Shutterstock)

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James Cameron Gives 'Avatar 3' Update, "Very Hectic Two Years of Post Production Right Now"

<h2><strong>Netflix recently unveiled the official trailer for its new documentary, "Kevin Hart &amp; Chris Rock: Headliners Only."</strong></h2>
<p><span style="font-weight: 400;">Set to release on December 12, this documentary offers an intimate look at the personal and professional journeys of two renowned comedians, Kevin Hart and Chris Rock. It delves into their formative years, challenges, achievements, and their deep bond. The film not only features insightful interviews with Hart and Rock but also includes perspectives from other celebrated comedians such as Dave Chappelle, Bill Burr, and Wanda Sykes, highlighting the unique talents of Hart and Rock.</span></p>
<p><span style="font-weight: 400;">Directed by Rashidi Harper, the documentary's production team includes executive producers Thai Randolph, Jeff Clanagan, Mike Stein, Dave Becky, Kevin Healey, JC Del Barco, and Ty Walker. Additionally, Hart, Rock, Harper, Bryan Smiley, Luke Kelly-Clyne, Malcolm Spellman, Oby M. Okoye, and Tami D&rsquo;Addio are credited as producers.</span></p>
<p><span style="font-weight: 400;">The full trailer is available for viewing now. "Kevin Hart &amp; Chris Rock: Headliners Only" is set to make its exclusive debut on Netflix on December 12.</span></p>

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Netflix Debuts Trailer for 'Kevin Hart & Chris Rock: Headliners Only' Documentary

<h2><strong>Chris Evans Discusses Speculation About His Possible Return to Marvel Cinematic Universe.</strong></h2>
<p><span style="font-weight: 400;">Recent discussions in the entertainment industry have hinted at Marvel Studios contemplating a reunion of the original Avengers cast for an upcoming project. This includes Chris Evans, renowned for his portrayal of Captain America, also known as Steve Rogers.</span></p>
<p><span style="font-weight: 400;">Amidst these swirling speculations, Evans appeared on The View, commenting on the likelihood of returning to the Marvel Cinematic Universe (MCU). As reported by TheWrap, Evans didn't completely dismiss the rumors. Although it seemed like he had said his final goodbye to the character in Avengers: Endgame in 2019, Evans has yet to shut the door on a potential comeback entirely. Although he hasn't been directly approached by Marvel, he's aware of the chatter, stating, "I often come across these stories as well, and they're just as surprising to me. There's frequent talk about Robert Downey Jr., Chris Hemsworth, Scarlett Johansson, and others making a comeback. However, nobody has discussed this with me yet. I'd never rule it out completely, but the role of Captain America is incredibly dear to me. It would have to be a perfect scenario for me to consider returning."</span></p>
<p><span style="font-weight: 400;">The MCU's narrative focus has shifted, giving more prominence to Anthony Mackie's character. While there's a possibility for a special appearance by Evans, nothing has been officially declared or confirmed. Evans expressed his concerns about potentially diminishing his legacy with the character, noting, "The role of Captain America holds immense significance for me. There might be more stories about Steve Rogers worth telling. Yet, I cherish this role deeply; it's like a treasure. I'm apprehensive about doing anything that might tarnish it. I was part of something incredibly unique for a certain period, and it perfectly concluded."</span></p>
<p><span style="font-weight: 400;">This rephrased article maintains the original information's essence while presenting it freshly and uniquely.</span></p>

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Chris Evans Responds to Rumors of Captain America's MCU Return

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<h2>The last five minutes of last night's <em>Game of Thrones </em>was shocking and amazing.</h2>
If you haven't seen that scene, or have no idea what I'm talking about, then take a few hours out of your day to catch up.

After such a crazy scene, you would wonder what the writer behind the series had to say. George R.R. Martin spoke with Entertainment Weekly recently to let the world know his thoughts behind writing the "purple wedding" and how HBO showed the wedding. [SPOILER ALERT]

Per <a href="http://insidetv.ew.com/2014/04/13/george-r-r-martin-why-joffrey-killed/" target="_blank">Entertainment Weekly</a>:
<blockquote><strong>In some ways, Joffrey’s death is the toughest death for viewers because he’s such an entertaining character to lose. You really had such fun with that character and Jack Gleeson’s performance is so malevolent. Can you talk about the decision you made to end this character when you did and how you did?</strong>

<strong>Martin</strong>: Oh boy, it was so long ago! Lets see, the book came out in 2000, so I guess I wrote those scenes in like 1998. I knew all along when and how Joffrey was going to die, and on what occasion. I’d been building up to it for three years through the first books. Part of it was that there’s a lot of darkness in the books. I’ve been pretty outspoken in my desire to write a story where decisions have consequences and no one is safe. But I didn’t want it to be unrelentingly bleak—I don’t think everyone would read the books if everything was just darkness and despair and people being horribly tortured and mutilated and dying. Every once in a while you have to give the good guys a victory — where the guys who are perhaps a lighter shade of grey have a victory over the guys who are a darker shade of grey. The Red Wedding and this — fans call this the Purple Wedding — occur in the same book. In the TV show, it’s separate seasons. But Joffrey’s death was in some ways a counterweight for readers to the death of Robb and Catelyn. It shows that yes, nobody is safe—sometimes the good guys win, sometimes the bad guys win. Nobody is safe and that we are playing for keeps. I also tried to provide a certain moment of pathos with the death. I mean, Joffrey, as monstrous as he is — and certainly he’s just as monstrous in the books as he is in the TV show, and Jack has brought some incredible acting chops to the role that somehow makes him even more loathsome than he is on the page — but Joffrey in the books is still a 13-year-old kid. And there’s kind of a moment there where he knows that he’s dying and he can’t get a breath and he’s kind of looking at Tyrion and at his mother and at the other people in the hall with just terror and appeal in his eyes—you know, “Help me mommy, I’m dying.” And in that moment, I think even Tyrion sees a 13-year-old boy dying before him. So I didn’t want it to be entirely, “Hey-ho, the witch is dead.” I wanted the impact of the death to still strike home on to perhaps more complex feelings on the part of the audience, not necessarily just cheering. (<a href="http://insidetv.ew.com/2014/04/13/george-r-r-martin-why-joffrey-killed/" target="_blank">Via</a>)</blockquote>
Watching the scene you see King Joffrey patronize his uncle and you wonder, how much longer will this Joffrey character stay around.
<blockquote><strong>At the same time, in the moments leading up to that, you seem to really enjoy giving him this grand sendoff by having all these moments during his wedding where he demonstrates the character traits that make us so dislike him. The wedding is self-aggrandizing — he throws his money around, he chops up Tyrion’s present, he orders that offensive dwarf joust. He gets to display all of the reasons why we want him to die just before he dies.</strong>

<strong>Martin</strong>: Yeah. I think Joffrey is a classic 13-year-old bully. Do you know many 13-year-old kids you’d like to give absolute power to? There’s a cruelty in children, especially children of a certain age, that you see in junior high and middle school. We don’t want 13-year-old bullies to be put to death. We probably do when we’re their 13-year-old victims, but they grow up and most of them grow out of it, and sometimes people do regret their actions. But Joffrey will never get that chance, so we don’t know what he would have become. Probably nothing good, but still…(<a href="http://insidetv.ew.com/2014/04/13/george-r-r-martin-why-joffrey-killed/" target="_blank">Via</a>)</blockquote>
It is interesting to see how often George R.R. Martin kills characters during weddings. Does he have a hatred for people that are getting married?
<blockquote><strong>For me, one of the most brilliant things you did is that you kill off these major characters at a wedding, and then you kill off another major character a few chapters later — at another wedding! I never would have predicted that, precisely because of how much you like to vary things.</strong>

<strong>Martin</strong>: I don’t know how it comes across in the show, because I haven’t actually seen it yet, but the poison that is used to kill Joffrey is one that I introduce earlier in the books and its symptoms are similar to choking. So a feast is the perfect time to use this thing. I think the intent of the murderer is not to have this become another Red Wedding—the Red Wedding was very clearly murder and butchery. I think the idea with Joffrey’s death was to make it look like an accident — someone’s out celebrating, they haven’t invented the Heimlich maneuver, so when someone gets food caught in his throat, it’s very serious. I based it a little on the death of Eustace, the son of King Stephen of England. Stephen had usurped the crown from his cousin, the empress Maude, and they fought a long civil war and the anarchy and the war would be passed down to second generation, because Maude had a son and Henry and Stephen had a son. But Eustace choked to death at a feast. People are still debating a thousand of years later: Did he choke to death or was he poisoned? Because by removing Eustace, it brought about a peace that ended the English civil war. Eustace’s death was accepted [as accidental], and I think that’s what the murderers here were hoping for — the whole realm will see Joffrey choke to death on a piece of pie or something. But what they didn’t count on, was Cersei’s immediate assumption that this was murder. Cersei wasn’t fooled by this for a second. She doesn’t believe that it was an accidental death. You saw the scene filmed, does it come across as he could possibly be just choking or is it very clear he’s been poisoned? (<a href="http://insidetv.ew.com/2014/04/13/george-r-r-martin-why-joffrey-killed/" target="_blank">Via</a>)</blockquote>
More of Martin’s thoughts on the show over at <a href="http://insidetv.ew.com/2014/04/13/george-r-r-martin-why-joffrey-killed/" target="_blank">Entertainment Weeky</a>.

The death of King Joffrey is giving to leave me with a huge hole in the Game of Thrones series. Joffrey was an entertaining character. Who will replace his evil attitude and personality?

<em><strong>Did you watch last night's episode? Share with us your thoughts in the comments below!</strong></em>

Photo Credits HBO

The Purple Wedding: George R.R. Martin Reacts to HBO's Latest Episode of "Game of Thrones"