Tom Cruise didn't have the lead in Endless Love.

Brad Pitt did in fact take acting classes. He trained with Roy London until his death.

Meg Ryan should have gotten the lead in "Endless Love." Shields is no actress; 30+ years of acting classes haven't given her the least bit of skill in the craft. The only reason she got anywhere in the performing world are the unethical dealings of her criminal mother Teri, who systematically ruined the acting careers of any girls the same age who she saw as competitors with her untalented daughter. That's why Shields was mocked back in the 80s in New Jersey as "Teri Schmon's Con."

Street College is the best Acting coach.You live a real life growing up hard and surviving the 60s and 70s you were a survivor.Charector Acting is changing your self in the streets yoiu better had a whole bunch to be in the Area you were in .I was hard for me to turn black .But goddamn I had to one time

Not quite true...I happen to know Brad Pitt's acting coach personally. They worked together for years before he became a star.

Jim Carrey went to playhouse west. I am very sure he took an acting class. This article is pretty much bullshit

Who wrote this article?  It's totally bogus. Great journalism!  Brad Pitt took acting with Roy London and Jim took acting classes at Playhouse West.  Come on now.  This is all general knowledge.

Carrey, Ryan, Cruise, and Pitt didn't study acting in a college, but they certainly have had years of coaching.

Brad Pitt definitely took acting classes. The acting coach Howard Fine even gave him lessons on one of the films brad was working on - Fine says so in his book, and Fine is a respectable acting coach who would not lie. I highly doubt this article is true. Especially since these actors are superb actors, and to attain their level of acting they would need to take lessons. 
Btw Meg Ryan is a great actress. Me and many others enjoy her specific acting style.

Ivana Chubbock taught Jim Carrey and Brad Pitt... Good work Jonathan A.

[&#8230;] Depp has since referred to this job, as a telemarketer selling ink pens, as his “first acting job.” [&#8230;]

[&#8230;] Click Here To Read More [&#8230;]

[&#8230;] casting (2020) [online]https://www.projectcasting.com/tips-and-advice/7-famous-actors-that-never-took-acting-classes/ [accessed, November [&#8230;]

[&#8230;] 7 Famous Actors that Never Took Acting Classes [&#8230;]

[&#8230;] Jim Carrey has never spent a penny on acting classes. Carrey dropped out of high school to help support his family financially. [&#8230;]

[&#8230;] https://www.projectcasting.com/tips-and-advice/7-famous-actors-that-never-took-acting-classes/ [&#8230;]

[&#8230;] بصفته مسوقًا عبر الهاتف يبيع أقلام الحبر ، على أنه &#8220;أول وظيفة بالوكالة. [&#8230;]

In the glamorous yet fiercely competitive realm of Hollywood, having a stellar educational background in acting is often considered a stepping stone towards making a mark. However, the narratives of numerous celebrated actors demonstrate that the traditional pathway is not the only road to success. Here, we delve into the inspiring journeys of 16 actors who, without the crutch of formal acting education, have soared to remarkable heights in the film industry.
<ol>
<li>
Tom Cruise: Before he was the face of 'Mission Impossible,' Tom Cruise moved to New York, landing his first significant role in "Taps." His career trajectory post that has been nothing short of extraordinary, establishing him as one of the highest-earning actors globally.
</li>
<li>
Jim Carrey: A story of resilience, Carrey dropped out of school to financially support his family. His comical genius caught the eye in "In Living Color," catapulting him to stardom.
</li>
<li>
Meg Ryan: Meg ventured into auditions whilst studying journalism. Her decision to leave college after securing a role in a feature film proved pivotal as she went on to become the quintessential romantic comedy queen.
</li>
<li>
Cameron Diaz: Transitioning from modeling to acting, Diaz's career soared when she starred opposite Jim Carrey in "The Mask," demonstrating an innate knack for acting.
</li>
<li>
Johnny Depp: Originally aspiring to be a musician, a chance introduction to an agent by Nicholas Cage saw Depp land a role in "A Nightmare on Elm Street," marking the beginning of an illustrious career.
</li>
<li>
Joaquin Phoenix: The streets were the first stage for Phoenix and his siblings. His Oscar-winning performance in "Joker" is a testament to his natural acting prowess that needed no formal grooming.
</li>
<li>
Christian Bale: Leaving school at 16, Bale's journey began with commercials, eventually morphing into a career highlighted by method acting and his portrayal of Batman in "The Dark Knight" series.
</li>
<li>
Russell Crowe: School drop-out at 16, Crowe's portrayal of Maximus in "Gladiator" was a turning point, post which he became a force to reckon with in Hollywood.
</li>
<li>
Jennifer Lawrence: From convincing her parents to find her an agent to becoming the face of "The Hunger Games" and "X-Men" series, Lawrence's journey is a true representation of talent over training.
</li>
<li>
Ben Kingsley: Kingsley's acting voyage commenced at 23, peaking with an Academy Award for his portrayal of "Gandhi" in 1982.
</li>
<li>
Channing Tatum: Discovered by a modeling agency, Tatum&rsquo;s career metamorphosed through commercials to films, proving his natural affinity for acting.
</li>
<li>
Charlize Theron: A former model and ballet dancer, Theron's acting career kick-started after a chance discovery during a bank argument.
</li>
<li>
Henry Cavill: With a penchant for theater, Cavill's acting voyage began when a casting group visited his school, landing him a role in "The Count of Monte Cristo."
</li>
<li>
Matthew McConaughey: Inspired by a book to switch his career path, McConaughey's journey from commercials and student films to an Academy Award winner is truly stirring.
</li>
<li>
Natalie Portman: Initially a model, Portman found her true calling in acting, honing her skills at a theatre arts camp and eventually gracing the silver screen with memorable performances.
</li>
<li>
Heath Ledger: Ledger&rsquo;s daring decision to skip school and pursue acting bore fruit as he captivated audiences with his performances, especially in "10 Things I Hate About You" and "The Dark Knight."
</li>
</ol>
The journeys of these 16 actors underscore a compelling narrative that formal training, while beneficial, isn't the only precursor to success in the acting arena. Natural talent, perseverance, and the sheer love for the craft can also pave the way for acclaim and opportunities in the exalted corridors of Hollywood. Through varied paths, each of these actors has carved a niche, breaking the conventional molds and inspiring countless aspiring actors to chase their dreams, with or without a formal acting education.
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16 Famous Actors That Never Took Acting Classes

<h2>WGA and AMPTP Reach Preliminary Accord, Ending Writers Strike.</h2>
After an arduous five-month standoff, the Writers Guild has struck a tentative deal with the Alliance of Motion Picture and Television Producers (AMPTP), heralding the end of their strike. This pivotal breakthrough emerged on Sunday as both parties resolved their impasse concerning AI implementation and staffing levels in writing rooms.
In a joint statement, the WGA and AMPTP announced, "We have reached a tentative agreement." Subsequently, the WGA conveyed to its members that they've achieved a preliminary understanding of the 2023 Minimum Basic Agreement (MBA), signifying alignment on all essential deal points, pending the finalization of contract language. This announcement arrived shortly after sunset, coinciding with the commencement of the Yom Kippur holiday, which had been identified as a significant deadline for concluding negotiations after five days of intensive talks.
While the specific terms of the WGA's preliminary agreement have not been disclosed, the guild intends to share them with its membership before the ratification votes.
The following procedural phase involves the WGA negotiating committee, led by Ellen Stutzman, casting a vote on whether to endorse the agreement and pass it on to the WGAW Board and WGAE Council for approval. These votes are tentatively scheduled for Tuesday. Subsequently, pending approval from the respective boards and councils, the "restraining order" on strike may be lifted, enabling writers to resume work during the ratification vote&mdash;a significant development for both the WGA and the studios. In the interim, the WGA has informed its members that the strike is still active, but all picketing activities are now suspended.
The negotiations between the WGA and AMPTP commenced virtually in the mid-afternoon. In addition to refining matters related to AI and staffing, an ongoing point of contention revolved around post-strike return-to-work schedules and protocols.
The studios sought clarity on whether writers would promptly resume their duties once a tentative agreement was ratified. Per our understanding, the guild had requested its members to return when SAG-AFTRA secured a new deal with the AMPTP. This reflects the solidarity between the two unions that has characterized their first concurrent strike since 1960. A compromise was reached.
The strike's official conclusion will require a few days as both WGA West and WGA East proceed with their ratification process. During the WGA's previous strike in 2007-08, a tentative agreement was reached on the 96th day, with the strike officially concluding on the 100th.
The first casualties of the current WGA strike, late-night comedy shows, and daytime talk shows will swiftly return to the airwaves, as SAG-AFTRA's ongoing strike doesn't encompass them as affected productions. Films and scripted TV shows that did not secure Interim Agreements with SAG-AFTRA will remain hiatus until the strike's resolution.
All eyes are now on ratifying the WGA deal and encouraging SAG-AFTRA and the AMPTP to resume negotiations and resolve the actors' strike, which has lasted for 73 days.
While this breakthrough relieves Hollywood and the entertainment industry, economists estimate that the dual WGA and SAG-AFTRA strikes have incurred a roughly $5 billion economic toll on California.

Members of WGA walk with pickets on strike outside the Culver Studio, Tuesday May 2, 2023 in Culver City, California. (Ringo Chiu / Shutterstock)

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WGA and Hollywood Studios Reach Tentative Deal To End Writers Strike

<h2>Chris Evans Supports Quentin Tarantino's View on Marvel Films, Emphasizing the Significance of Characters.</h2>
Chris Evans, recognized for his portrayal of Captain America, has maintained a relatively low-profile existence within the Marvel universe. In a recent GQ feature, Evans graciously shared glimpses of his life post-Marvel era.
During the discussion, Evans openly concurs with Quentin Tarantino's unconventional stance that Marvel actors don't conform to conventional "movie star" standards. Reflecting on his time as Captain America, Evans confided in GQ, "That was the beauty of working on Marvel films. You never really had to be front and center. Even in your films sometimes. Quentin Tarantino said it recently, and I was like, he&rsquo;s right. The character is the star. You&rsquo;re there, but don&rsquo;t feel the burden of it.&rdquo;
Contrastingly, Kevin Feige interjected in the conversation, offering an alternate viewpoint. He told the publication, "I think it&rsquo;s something [Chris] was telling himself, and I think it&rsquo;s something many of the Avengers, including Robert, would tell themselves, which was very helpful to the process. But it's not entirely true in certain cases, including Chris&rsquo;.&rdquo;
Evans took on the mantle of Steve Rogers/Captain America in 2011 and departed the franchise in 2019. While bidding farewell, he has previously stated that he won't entirely discount the possibility of a return, stating, &ldquo;I&rsquo;ll never say never, just because it was such a wonderful experience. But I&rsquo;m also very precious with it. It&rsquo;s something that I am very proud of. And, like I said, sometimes I can&rsquo;t believe it happened. And I wouldn&rsquo;t want the black eye if it felt like a cash grab, didn&rsquo;t live up to expectations, or just felt like it wasn&rsquo;t connected to that original thing. So, no time soon.&rdquo;
Evans also hinted that reducing acting commitments has empowered him to be more discerning in his roles, focusing on considerations like filming schedules. Having been a part of the Marvel franchise for an impressive 11 years, he is slated to star alongside Emily Blunt in Netflix&rsquo;s "Pain Hustlers," set to premiere on October 20.

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Chris Evans Sides With Quentin Tarantino on His Marvel Movie Star Comment, Agreeing That "the Character Is the Star"

<h2><a title="Leslie Jones" href="https://www.projectcasting.com/blog/tag/leslie-jones/">Leslie Jones</a> Reflects on Her 'SNL' Experience: Embracing the Show's Dynamic.</h2>
In a recent NPR interview, Leslie Jones candidly discussed her time on "Saturday Night Live," acknowledging that the nature of the NBC sketch comedy series inevitably molded her into a more amplified version of herself. From 2014 to 2019, Jones served as both a writer and cast member on the show, earning acclaim with two Emmy nominations for Outstanding Supporting Actress in a Comedy Series.
"Comedy has been my craft for so long, and I've come to understand my comedic identity," Jones expressed. "On 'SNL,' they take that essence and amplify it because that's the nature of the beast. So whatever I'm delivering that they find resonant, they amplify it to the nth degree."
"It became this sort of caricature of me, you know what I mean?" Jones reflected. "So it boiled down to either I'm showcasing affection for the white guys, or I'm engaging in some lively confrontation with them, or I'm just being outrageously boisterous. I knew this would be the outcome because I comprehend the influence of these portrayals."
Jones clarified that she harbors no ill feelings towards "SNL." She recounted a conversation with a former cast member who imparted that this transformative process is par for the course for anyone on the show.
"As I look back, it hits me, 'Ah, yes, just like Taran Killam!'" she remarked. "Taran aspired to explore a variety of roles, yet he found himself largely confined to these hyper-masculine characters and musical performances. It was an eye-opener for me. This is a mechanism."
Furthermore, Jones emphasized her deep respect and affection for the show's creator, Lorne Michaels.
"I always used to say, 'He's the puppet master.' He's got to balance the contentment of the cast, the writers, the Writers Guild of America, NBC, and even a family in Omaha, Nebraska, who's tuning in," she noted. "Imagine the multitude of threads he has to manage? It's a well-oiled machine that needs to function, you know?"
Since bidding farewell to "SNL," Jones has taken on hosting duties for "Supermarket Sweep" and graced the screens in notable productions like Prime Video's "Coming 2 America" and the comedic series "Our Flag Means Death" on Max. This month, she's been actively promoting her newly released memoir, "Leslie F*cking Jones," now available for purchase.

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Leslie Jones Says ‘SNL’ Made Her a ‘Caricature of Myself’

<h2>Zac Efron and Jeremy Allen White's Film 'Iron Claw' Secures SAG-AFTRA Interim Agreement.</h2>
In support, the Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA) has granted an interim agreement for the forthcoming sports drama, "The Iron Claw," featuring Zac Efron and Jeremy Allen White. This allows the film's stars to engage in promotional activities worldwide ahead of its anticipated holiday season release.
"The Iron Claw" delves into the gripping narrative of the Von Erichs, an American wrestling dynasty, and follows the lives of brothers Kevin and Kerry Von Erich, portrayed by Efron and White, who earned their place in the WWE Hall of Fame through their remarkable performances in the wrestling arena during the '80s and '90s. Helmed by Sean Durkin, known for "Martha Marcy May Marlene," the film weaves a tale of extraordinary athleticism intertwined with a series of personal tragedies that befell the family, colloquially known as the "Von Erich curse" during its time.
The ensemble cast includes Harris Dickinson, Stanley Simons, Holt McCallany, Maura Tierney, and Lily James. "The Iron Claw," slated for release on December 22, is poised to offer a distinct alternative to Universal and Illumination's animated comedy, "Migration." Subsequently, it will be followed by highly anticipated blockbusters, "Aquaman 2" and the glorious Warner Bros. musical, "The Color Purple."
Tessa Ross, Juliette Howell, and Angus Lamont of House Productions are producing this venture, along with Durkin and A24. Derrin Schlesinger, Harrison Huffman, Len Blavatnik, Danny Cohen, and Eva Yates take on the roles of executive producers.
The project was nurtured by House Productions, with backing from Access Entertainment and BBC Film, who also joined forces in co-financing. A24 assumes the role of both producer and financier for the film.

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Zac Efron and Jeremy Allen White’s ‘Iron Claw’ Gets SAG-AFTRA Interim Agreement

<h2>WGA and AMPTP Continue Contract Talks Amidst Growing Optimism.</h2>
The Writers Guild of America (WGA) and the Alliance of Motion Picture and Television Producers (AMPTP) are set to convene for a third consecutive day of negotiations on Friday, marking a pivotal juncture in Hollywood's labor dispute. While there is increasing hope for a resolution, concerns persist as critical issues remain unresolved in the nearly five-month strike.
In a recent update to its members, the WGA confirmed the ongoing negotiations, expressing gratitude for the outpouring of support and solidarity received in recent days. They also urged as many members as possible to participate in picket lines during the upcoming session.
Since the strike commenced on May 2, the industry has eagerly anticipated a potential breakthrough in negotiations. Speculation circulated within the creative community on Thursday, suggesting an agreement between the studios and writers could be imminent by early evening. However, reliable sources close to the situation clarified that significant matters and negotiation points are still under discussion. As of Wednesday, the guild had yet to indicate that the current terms were sufficient to bring the strike, which is entering its 144th day on Friday, to a close.
Optimism was fueled by the presence of CEOs and senior leaders from major Hollywood studios, including Disney's Bob Iger, Netflix's Ted Sarandos, NBCUniversal's Donna Langley, and Warner Bros. Discovery's David Zaslav. Their participation expedites the exchange between management and labor in resolving the most contentious contract issues. There are indications of progress towards a compromise regarding the WGA's request for a revised minimum staffing formula for writers working on episodic TV programs.
Additional topics discussed on Thursday encompassed the intricate matter of regulating the use of generative artificial intelligence in screenwriting and the WGA's advocacy for including in the master film and TV contract the right for its members to support strikes and picket lines of other unions.
After a month-long hiatus, negotiations between the WGA and AMPTP resumed on September 20. The presence of executive leaders was intended to underscore their dedication to reaching an agreement. On Thursday evening, sources revealed that some last-minute concerns arose regarding what the management side perceived as new negotiation points raised by the WGA. This led to extended discussions, concluding around 7:30 p.m.
Plans for a third day of negotiations were confirmed shortly before the WGA's communication to its members at 9:45 p.m. PT. It remains uncertain whether the CEOs will reconvene at AMPTP headquarters in Sherman Oaks for a third day of bargaining.

WGA and AMPTP to Meet Friday, Guild Calls for Strong Picket Turnout as Contract Talks Heat Up

<h2><a href="https://www.projectcasting.com/blog/tag/netflix/">Netflix</a> Unveils "Squid Game: The Challenge" Trailer, Showcasing 456 Contestants Vying for $4.56 Million Prize.</h2>
Netflix has dropped the highly-anticipated trailer for their forthcoming reality series inspired by "Squid Game," revealing a premiere date of November 22. This announcement was first made during their Tudu fan event earlier this summer.
In "Squid Game: The Challenge," a global roster of 456 participants will engage in a series of challenges drawing inspiration from the original Korean game show while introducing new elements. The ultimate victor will walk away with a staggering $4.56 million prize money.
While the stakes aren't as dire as in the fictional version of "Squid Game," the logline emphasizes that there's still a tremendous amount at risk. "456 players will compete to win $4.56 million, the largest cash prize in reality television history. Through games, each player will be pushed to their limits and forced to ask themselves how far they'll go to win, with opportunistic alliances, cutthroat strategies, and timely betrayals to follow."
Regrettably, the production has faced its share of controversy after contestants required medical attention during filming, which took place unexpectedly during a cold spell in the U.K. As reported by Variety, several contestants who were not reimbursed for their participation experienced collapses on set due to a combination of cold weather and fatigue.
Studio Lambert helms the show, the same production company behind the popular game show "The Traitors," in collaboration with The Garden.

Netflix Squid Game Season 2 Cast, Casting Calls, Auditions, and News You Should Know

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‘Squid Game: The Challenge’ Trailer Has 456 Real People Risking It All for $4.56 Million; Netflix Sets Premiere Date

<h2><a title="Amazon Prime Video" href="https://www.projectcasting.com/blog/tag/amazon/">Amazon Prime Video</a>, known for its ad-free streaming experience, is set to introduce commercial breaks early next year, marking a significant shift in its approach.&nbsp;</h2>
This move aligns Amazon with other major streaming platforms like Disney+, Netflix, and Warner Bros. Discovery&rsquo;s Max, which have already adopted ad-supported tiers. Tim Hanlon, CEO of Vertere Group, points out that aggressive monetization efforts have historically driven the TV industry.
Amazon has stated that it intends to feature fewer ads than traditional broadcasters or broadband rivals, with an approximate benchmark of four minutes of ad time per hour on the streaming platform. Initially, commercials will roll out in the U.S., U.K., Germany, and Canada in early 2024, followed by France, Italy, Spain, Mexico, and Australia later. For those who prefer an ad-free experience on Amazon Prime Video, this option will still be available for an additional $2.99 per month in the U.S., on top of the annual subscription to Amazon&rsquo;s overall Prime service.
Notably, this shift comes as the media sector increasingly recognizes streaming video as the future of entertainment. Companies like NBCUniversal and Apple have been racing to provide a wide range of content to cater to audiences moving away from traditional broadcast or cable TV. However, this transition comes with significant costs, involving substantial investments in content creation and infrastructure. Investors are now keenly interested in when these ventures will become profitable.
Even stalwarts like Netflix, which had long resisted the inclusion of commercials, have felt the pressure to consider advertising as a revenue source. Amazon justifies this decision to sustain investments in compelling content over an extended period. Their acquisition of MGM Studios for $8.5 billion in 2021 and securing the rights to the NFL&rsquo;s &ldquo;Thursday Night Football&rdquo; demonstrates their commitment to content excellence.
Historically, major media companies like <a href="https://www.projectcasting.com/blog/tag/cbs/">CBS</a> and <a title="Disney" href="https://www.projectcasting.com/blog/tag/disney/">Disney</a> have thrived on dual revenue streams: advertising and subscription fees from cable and satellite providers. Initially launched with minimal or no ads, streaming services have disrupted this revenue model. Tim Hanlon emphasizes the ideal media business model as one where revenue is generated from both subscribers and advertising.
While Amazon already incorporates ads in its Freevee service, which allows users to access content in exchange for ad views, this move into Prime Video signifies a significant shift. The addition of commercials on streaming services could lead to concerns about increased ad frequency, mirroring the trends seen on traditional TV networks. Hanlon anticipates that commercials in streaming environments may become more prevalent over time, with larger ad loads and additional opportunities for advertisers.
Ultimately, as streaming platforms increasingly embrace advertising, it will be crucial for companies to manage the flow of commercials effectively. An excessive barrage of ads should not taint consumers&rsquo; perception of streaming media. Hanlon cautions that while advertising can address specific issues, it may inadvertently exacerbate others. Apple TV+ is an exception, choosing not to include ads in its scripted programs.

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Amazon Plans Commercial Breaks for Prime Video

<h2>Production has commenced in Australia for <a title="Netflix's" href="https://www.projectcasting.com/blog/tag/netflix/">Netflix's</a> neo-western drama series, "Desert King," marking it as one of the streaming platform's prestigious offerings in the Asia-Pacific region.&nbsp;</h2>
The narrative revolves around the dynamics of wealth and influence in the rugged Outback territories of Australia, with filming locations spanning the remote Northern Territory and the vicinity of Adelaide, South Australia.
The plot unfolds when the world's largest cattle station faces an uncertain future without an apparent heir, leading to intergenerational conflicts that jeopardize the unity of the Lawson family. Sensing the decline of this once-mighty dynasty, various influential factions of the Outback&mdash;including rival cattle magnates, desert underworld figures, Indigenous leaders, and affluent miners&mdash;seize the opportunity to assert their dominance, as described in the streamer's logline.
Helmed by Greg McLean of "La Brea" fame, the series is a collaborative effort between Easy Tiger and Ronde. Its inception is credited to Tim Lee, known for works like "Mystery Road" and "Bump," along with Ben Davies. Executive production duties are shouldered by Ben Davies, Rob Gibson, and Ian Collie, while Paul Ranford, recognized for projects like "Stateless" and "True History of the Kelly Gang," takes on the role of producer.
As reported by Variety, the shooting will unfold on the ancestral lands of the Larrakia people (Darwin, Northern Territory) and the Kaurna people (Adelaide, South Australia). Before commencement, Netflix and Screen Territory collaborated on the First Nations Production Ready Bootcamp, a program designed to equip ten First Nations participants with a comprehensive understanding of the intricacies of screen production, along with preparation for apprentice and attachment roles.
Post-production activities are underway in South Australia, facilitated by the SAFC&rsquo;s SA Post-Production, Digital, and Visual Effects (PDV) Rebate.
"Desert King" encapsulates immense landscapes, staggering fortunes, and the gripping theatrics accompanying them. Que Minh Luu, Netflix's Director of Content ANZ, expressed enthusiasm about shooting this premium Australian series in the Northern Territory for the first time. In this epic family drama, the setting aligns with the world-class production facilities in South Australia, offering a portrayal of the country that evokes pride in both domestic and global audiences.
Executive producers Davies and Gibson echoed this sentiment, emphasizing the unique blend of timeless tradition and modernity inherent in the Top End, a locale where the terrain is not only the essence of life and livelihood but also harbors mortal risks.
The project garners support from the Northern Territory Government&rsquo;s Production Attraction Incentive Program (PAIP) and secures South Australian Film Corporation (SAFC) funding through the SAFC Screen Production Fund.

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Netflix's Neo-western drama "Desert King" Starts Filming in Australia

<h2>Warner Bros. Discovery Announces Major Expansion for DC Studios at Leavesden Studios.</h2>
In a strategic move, Warner Bros. Discovery is set to significantly amplify its production capabilities at Leavesden Studios, establishing it as the central hub for DC Studios projects. The renowned studio, located just outside central London, unveiled plans to introduce ten new cutting-edge soundstages and an additional 400,000 square feet of production and auxiliary facilities. Anticipated to commence construction in the second quarter of 2024, the expansion is slated for completion in 2027.
Upon completion, Leavesden Studios will boast an impressive 29 stages and an expansive 1.78 million square feet of production space. The co-chief executives of DC Studios, James Gunn and Peter Safran, will offer their expertise as consultants for this ambitious project. Noteworthy recent productions at this location include "Barbie," "House of the Dragon," and the eagerly awaited DC feature film, "Aquaman and the Lost Kingdom."
Simon Robinson, Chief Operating Officer of Warner Bros. Discovery, expressed enthusiasm about the expansion, stating, "Warner Bros. Studios Leavesden is globally recognized for its exceptional soundstages and facilities, and with this planned expansion adding significant capacity and capabilities, it will be home to even more incredible storytelling for both film and television projects. We are proud to be growing our productions in Leavesden and making it the main hub for DC Studios and growing our economic and community contributions to the U.K.&rsquo;s creative sector."
The U.K. has emerged as a prominent center for studios and streaming platforms, propelled by advantageous tax incentives and its proximity to a vast talent pool. In 2019, production revenue reached an all-time high of $4.7 billion. However, the availability of studio space has struggled to keep pace with demand, though this concern was alleviated to some extent when content spending decreased last year.
In March, the British government announced increased financial incentives to entice production further. Under this restructuring, films and high-end TV projects will benefit from a 34 percent expenditure credit, superseding the previous 25 percent tax rebate model. Notable TV series shot in Britain include "The Crown" and "Peaky Blinders."
Chancellor of the Exchequer, Jeremy Hunt, commended Warner Bros. Discovery's ambitious expansion plan, stating, "Warner Bros. Discovery&rsquo;s ambitious plan to grow its Leavesden studio is a huge vote of confidence in the U.K. &mdash; creating thousands of jobs and growing our economy &mdash; and means that British-made entertainment will continue to delight and entertain global audiences."
Warner Bros. Discovery envisions that this expansion will create 4,000 new jobs across the U.K. and bolster WBSL&rsquo;s contribution to the economy by over &pound;200 million. Chancellor Jeremy Hunt visited the lot to meet with Simon Robinson and Dan Dark, Executive Vice President of Worldwide Studio Operations, as confirmed by sources familiar with the meeting.

August 5, 2022, Brazil. In this photo illustration, the Warner Bros. Discovery logo is displayed on a smartphone screen and in the background, the HBO Max and Discovery Plus logos

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Warner Bros. Discovery Announces Major Expansion for DC Studios at Leavesden Studio

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<h2>In the fourth installment of John Wick, starring Keanu Reeves, the star uttered a mere 380 words - an astonishingly small number for any action-packed blockbuster.</h2>
As The Wall Street Journal reported, the newest installment in the John Wick franchise features Keanu Reeves speaking only 380 words. Despite having an impressive 169-minute runtime and nearly three hours long, all of his 103 lines are made up of just one word!
&ldquo;In the first installment, clocking in at 101 minutes, Mr. Reeves said 484 words. With a run time of 169 minutes, the fourth movie pushes three hours but features just 380 words by Wick. About 10% of them are featured in the movie&rsquo;s trailer, which makes the hero seem almost chatty; Wick says more in that 2.5-minute clip than he does in the first 25 minutes of the movie itself,&rdquo; wrote The Wall Street Post.&rdquo;
As the report further elaborates, Chad Stahelski and Keanu Reeves conceived a restricted discourse for John Wick: Chapter 4. The duo &ldquo;stripped out roughly half the dialogue written for his character in the initial script.&rdquo; For example, John Wick and Marquis de Gramont's (Bill Skarsg&aring;rd) conversation about their duel's rules had Reeves deliver 50% of it. After a re-write by him, his character only responded with single words.
The feature film's co-screenwriter Michael Finch said, &ldquo;It&rsquo;s a shock when you work with him how dedicated he is to not speaking.&rdquo; In the entire movie, John Wick's most extensive remark is his exchange with Shimazu Koji (Hiroyuki Sanada), chief of the Osaka Continental Hotel. Wick confidently declares, &ldquo;You and I left a good life behind long ago, my friend.&rdquo;
Keanu Reeves chose to show rather than tell by demonstrating his commitment to the fourth installment of the John Wick series, claiming that it was the most physically demanding movie he has ever filmed. For months, Reeves toiled hard to master the stunts needed for his role. Of them all, the most challenging scene was a car chase around Paris' iconic Arc de Triomphe, where he had to reverse 180 degrees and drift while simultaneously reloading his prop gun and shooting out of the window.
Now playing in theaters everywhere - take your chance to see the highly anticipated John Wick: Chapter 4, starring Keanu Reeves!
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Keanu Reeves Only Spoke 380 Words in 'John Wick: Chapter 4'

Every aspiring writer is passionate about bringing their vision to life and making it a reality. But submitting your script in the entertainment industry as an entry-level writer can often be intimidating; whether working on a feature film, television show, or commercial, mastering the script submission process is key to success! This post will take you through everything you need to know when submitting your script as a new writer. With the correct information and preparation, any beginner can discover how to craft and present their stories to stand out among other entries. Ready? Let&rsquo;s dive in!
<h2>Research the production companies and decide which ones to submit your script to.</h2>
Researching production companies before submitting a script is critical for new writers. Make sure that the production company you select fits the genre of your hand and has had some successful productions. Take time to browse their websites, watch some of their work, and read up on what they are looking for in scripts. It's also worthwhile to check their reviews online, which can give you a good idea of how they treat writers and their projects. Ultimately, the goal is to find a production company that you genuinely feel passionate about and could see partnering with on your script or future projects. Taking the extra time to research and make wise choices will help you positively differentiate yourself while submitting your writing as a new writer!
<h2>Check their submission guidelines for any specific requirements.</h2>
When submitting the script for consideration as a new writer, it is essential to ensure you understand the intended recipient's requirements. Checking submission guidelines can uncover any special formatting, content quality, and industry standards that need to be met to have your work considered. These guidelines not only help you ensure that your script follows an accepted format; they also contain information on how scripts are received by the organization and even potential avenues to evaluate them. Reviewing a company's submission guidelines before submitting your hand will increase your chances of having it taken seriously and accepted into their program.
<h2>Create a professional cover letter introducing yourself and your script.</h2>
As a budding new writer, submitting a script is an exciting yet daunting opportunity. A great way to make the best first impression and demonstrate your professionalism is to create a cover letter that introduces yourself and provides some background on your script. Your cover letter should also include any relevant writing experience, educational qualifications, and awards or successes you&rsquo;ve achieved in writing. In addition to these main points, consider mentioning the motivations behind your vision for the story you are telling with your script and how it connects with industry trends. When structuring your professional cover letter for a script submission, take the time to prove your worth as a writer by thoughtfully addressing why you have chosen their studio or production house specifically. Doing so will give readers insight into why you share their values, giving them a reason to see the potential in you and make them want to read more!
<h2>Include a synopsis of the story along with your cover letter.</h2>
A synopsis of your story should be essential to any cover letter submitted with a script by a new writer. This synopsis can be short and to the point, typically no longer than a few hundred words, but enough to showcase the narrative arc, main characters, and key plot points. It is also essential to include your story's genre in the synopsis to give the reader context. For those submitting a novel-length piece, it&rsquo;s also wise to include what previous chapters have revealed about storylines or significant milestones achieved in earlier parts of your work. Finally, proofread your synopsis carefully for accuracy and clarity - submitting something unreadable will not help you stand out from the crowd!
<h2>Include character sketches and other story elements that complement the script.</h2>
When submitting a script as a new writer, it's essential to include character sketches and other story elements that can supplement its overall impact. Characters should be developed in enough detail so readers can immediately grasp who they are and know the types of conflicts they will face. Specific examples should be woven throughout, along with setting details that help give the reader a sense of place. Remember, though, that all this is background knowledge; leave the reader with a manageable amount of details that might take away from the power of the core story. Instead, select only the most essential pieces about the characters, setting, and plot for your submission. With these crucial steps, you'll be ready to launch your writing career on a solid footing!
<h2>Format the script according to industry standards (font, page size, margins, etc.)</h2>
Knowing the basics of formatting a script is critical when submitting a hand as a new writer. Proper margins, font types, sizes, and page formats should be adhered to make a good first impression. A Script Supervisor or reader may only look at your work if it is formatted according to industry standards. Most commonly accepted scripts are written in 12-point Courier font on 8 1/2 by 11-inch white paper with one-inch margins. Generally, each script page will contain two lines for scene numbers, headers for character names and dialogue, and standard indentation for actions and transitions. Learning how to format a script correctly demonstrates professionalism and can be another tool in distinguishing yourself from other writers.
&nbsp;
Learning how to submit a script can be overwhelming for a new writer. However, doing your research, sticking to the submission guidelines for each production company, and producing a professional cover letter along with your script can help you make the best impression possible, giving your work a chance it deserves to be seen. Additionally, formatting correctly according to industry standards can go a long way in showcasing your talent. Even though submitting may seem daunting at first, if you take it one step at a time and persevere, your dream of bringing your script to life could become a reality. So get researching, and don&rsquo;t give up!
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Auditioning can be intimidating, and preparing for a successful audition starts with warming up beforehand. Whether you are preparing to take the stage, film se...

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How to Start Working as a Script Writer

Hello I,m Fred Capitano, Actor ,model ,review imdb.com also explore talent,have imdb credits also in several photo shoots for holly wood scary holloween also music video  contact   me at 850 6989629 ,was in Freelancers 2012 as the Gambler

This is a wonderful endeavor Overbrook and ANA have embarked upon.  Talk about giving back to the community...Thank you all. Alan DuBois

Thanks Wil for all the support and the Central parties!

The ANA Alliance for Family Entertainment, James Lassiter and Will Smith of&nbsp;Overbrook Entertainment are searching for America's Newest TV Scriptwriters.
<a href="https://www.projectcasting.com/wp-content/uploads/2013/02/tumblr_mirk5zwMZS1rijbg1o1_500.gif"><img class="aligncenter size-medium wp-image-5407" title="tumblr_mirk5zwMZS1rijbg1o1_500" src="https://www.projectcasting.com/wp-content/uploads/2013/02/tumblr_mirk5zwMZS1rijbg1o1_500-300x136.gif" alt=""></a>

<h5>ABOUT THE CONTEST</h5>
Will Smith and James Lassiter of Overbrook Entertainmed are working together with the ANA Alliance for Family Entertainment ( a group of national advertisers working on finding great family content) to find the most talented undiscovered TV scriptwriter in the Country.

<center><iframe src="http://www.youtube.com/embed/heJmHIjd6R4" frameborder="0" width="560" height="315"></iframe></center><center></center><center></center>The Overbrook Entertainment and ANA Alliance are working to produce and support family entertainment. Because family entertainment means different things to different people make sure your script is unique and emotionally relatable to today&#146;s family.

Submit either your 30-minute comedy or one-hour drama by 1pm PST, March 21, 2013.
<h5>Script Guidelines and Eligibility</h5>
There are a set of rules and guidelines for this contest. Please read through the following Script Guidelines and Eligibility information .
<h5>Resources for Scriptwriters</h5>
Aspiring Scriptwriter Resources

James Lassiter, who co-founded Overbrook Entertainment with Will Smith, learned to hone his producing skills by reading a collection of books and studying countless scripts. Below are two recommended reading lists to help inspire you to write extraordinary content for the contest and beyond.

<center><script type="text/javascript">// < ![CDATA[
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<h5>A Creative Reading List</h5>
Bettelhein, The Uses of Enchantment
Campbell, The Hero with a Thousand Faces
Campbell and Moyer, The Power of Myth
Hall, Aspire
Hauge, Writing Screenplays that Sell Through the Power of Words
Mckee, Story
Schmidt, 45 Master Characters
Sharp, A Writer's Workbook: Daily Exercises for the Writing Life
Tobias, 20 Master Plots &amp; How to Build Them
Viders, 10 Steps to Creating Memorable Characters
Vogler, The Writer's Journey
<h5>Teaching a New Generation of Scriptwriting List</h5>
For the full list of reading suggested by legendary scriptwriter James Lassiter, .

&nbsp;

<center><iframe src="http://www.youtube.com/embed/w-Rf7P1CWu4" frameborder="0" width="560" height="315"></iframe></center>

<hr><div>
<div>

Not Getting Called Back? Check out our list of articles to help you land your next big role!

</div>
<ul><li><a href="https://www.projectcasting.com/2013/01/13/how-to-respond-to-casting-calls/" target="_blank">Tips on How to Respond to Casting Calls</a></li>
	<li><a href="https://www.projectcasting.com/2013/01/13/what-to-expect-at-an-audition-tv-film-theater/" target="_blank">What to Expect at an Audition</a></li>
	<li><a href="https://www.projectcasting.com/2013/01/13/how-to-prepare-for-an-audition/" target="_blank">Tips to Prepare for Your Next Audition</a></li>
</ul></div>

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Scriptwriting