Warner Bros. Discovery CEO David Zaslav has been in the spotlight for his decision to scrap several films, including "Coyote vs. Acme" and "Batgirl." This move, which Zaslav claims took "real courage," has sparked widespread debate in the entertainment industry.
Key Takeaways:
<ul>
<li>Warner Bros. scrapped films like "Coyote vs. Acme" and "Batgirl."</li>
<li>CEO David Zaslav claims the decision required "real courage."</li>
<li>The cancellations were partly for tax write-offs.</li>
<li>"Coyote vs. Acme" had positive early screenings but will be shopped to other studios.</li>
<li>The decision has led to distrust and criticism of Zaslav.</li>
</ul>
The Decision and Its Aftermath
Zaslav's decision to cancel these films has been met with both criticism and intrigue. The rationale behind these cancellations, as reported, was to collect tax write-offs, with "Coyote vs. Acme" set to bring in a $30 million tax write-off. Zaslav, during a Q&amp;A at the New York Times&rsquo; DealBook conference, explained that the accounting aspect is misunderstood and emphasized the financial considerations behind releasing a movie.
Industry Reactions and Implications
The move has led to a significant backlash, with Zaslav being labeled "the most hated man in Hollywood" by some. The decision is particularly puzzling considering "Coyote vs. Acme" had performed well in early screenings, being praised as one of the best family films since "Roger Rabbit." This has led to U.S. congressman Joaquin Castro calling for an FTC review of Warner Bros.'s tactics.
The Future of the Scrapped Films
While "Coyote vs. Acme" may find a new home as it's being shopped to other studios, the fate of "Batgirl" and "Scoob! Holiday Haunt" remains uncertain. This uncertainty adds to the growing distrust towards Zaslav and Warner Bros. from both fans and creative professionals.
Analyzing the Business Strategy
Zaslav's strategy raises questions about the current state of the film industry, where financial considerations often outweigh creative ones. The decision to scrap these films, despite their potential and investment, highlights a shift in how studios are approaching film production and distribution in an increasingly competitive and financially driven market.
The Role of Tax Write-Offs in Film Production
The use of tax write-offs in film production is not new, but the scale and visibility of Warner Bros.' decision bring this practice into the spotlight. It underscores the complex financial mechanisms that drive major studios and their impact on the creative process.
Looking Ahead
As the industry continues to evolve, the balance between financial viability and creative integrity remains a contentious issue. Warner Bros.' recent decisions under Zaslav's leadership will likely influence how other studios approach similar situations in the future.
Conclusion
The controversy surrounding Warner Bros.' film cancellations under CEO David Zaslav's leadership reflects broader tensions within the film industry. As studios navigate the challenging terrain of profitability and artistic expression, decisions like these will continue to spark debate and shape the future of film production and distribution.

Warner Bros. Discovery CEO David Zaslav has been in the spotlight for his decision to scrap several films, including "Coyote vs. Acme" and "Batgirl." This move, which Zaslav claims took "real courage," has sparked widespread debate in the entertainment industry.

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Warner Bros. CEO Defends Controversial Film Cancellations as Acts of 'Real Courage'

BBC Studios' Scripted MD Mark Linsey Highlights Need for Cost-Effective Production
In a recent statement, Mark Linsey, the Managing Director of Scripted at BBC Studios, emphasized the need for the production community to consider creating drama and comedy content at lower tariffs. This call comes in response to the current challenging economic climate affecting the global scripted market.
Key Takeaways:
<ul>
<li>Mark Linsey of BBC Studios calls for lower tariffs in drama and comedy production.</li>
<li>The global scripted market faces challenges due to U.S. strikes and economic strife.</li>
<li>Difficulty in attracting financing is a major concern.</li>
<li>Partnerships are becoming increasingly crucial in the industry.</li>
<li>The Doctor Who series exemplifies successful co-production and budget management.</li>
</ul>
Challenges in the Global Scripted Market
Linsey, who relocated to Los Angeles last year, described the state of the global scripted market as "incredibly challenging." He cited factors such as U.S. strikes, broader economic difficulties, and the challenges in securing financing. "We all know about challenges to costs of production and that is real and hasn't gone away in drama," Linsey remarked at Content London.
The Proposal for Lower Tariffs
Linsey's proposal involves rethinking how drama and comedy can be produced more cost-effectively. "As a community, we have to think about how we are going to create drama and comedy at a lower tariff as financing gets more challenging," he stated. This approach is seen as a necessary adaptation to the current financial constraints facing the industry.
The Role of Partnerships
In Linsey's view, partnerships are more critical than ever in the current market. He highlighted the example of the Doctor Who series, which has seen a significant budget increase and brought Disney+ on board as a co-producer for the upcoming series. The first of a trio of anniversary specials launched recently, showcasing the potential of such collaborations.
European Producers in the UK Market
BBC Studios productions boss Ralph Lee commented on the opportunities for European producers in the UK. He noted that the local market has been "really hard" in the past 18 months. "For producers trying to get ideas into the UK studio system, it is really tough because of the creative sector here and the relationship between supply and demand," Lee explained. He anticipates more partnerships, similar to BBC Studios' natural history co-production deal with Germany's ZDF.
Adapting to Market Conditions
Matt Forde, who recently took over BBC Studios' newly-minted global entertainment arm, emphasized the need for producers to think "differently and entrepreneurially" to overcome current challenges. He cited the Death in Paradise spin-off Return to Paradise for Australia's ABC as an example. Forde acknowledged the slowing market as "SVoDs think again about how much they want to invest" but also pointed out the positives, such as more opportunities arising due to less talent being tied to long-term deals with major U.S. companies.
Conclusion
The call for lower tariffs in drama and comedy production by Mark Linsey reflects a broader need for adaptation and innovation in the entertainment industry. As economic challenges persist, the emphasis on partnerships, cost-effective production, and entrepreneurial thinking becomes increasingly vital for the survival and growth of the global scripted market.
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In a recent statement, Mark Linsey, the Managing Director of Scripted at BBC Studios, emphasized the need for the production community to consider creating drama and comedy content at lower tariffs. This call comes in response to the current challenging economic climate affecting the global scripted market.

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BBC Studios' Mark Linsey Advocates for Lower Drama and Comedy Tariffs Amid Economic Challenges

AMC Networks, known for its high-quality original content like "Breaking Bad" and "The Walking Dead," is actively exploring innovative 'pop-up' streaming agreements. This move comes as part of AMC's strategy to expand its reach and adapt to the evolving media landscape.
Key Takeaways:
<ul>
<li>AMC Networks is pursuing 'pop-up' streaming deals similar to its recent collaboration with Max.</li>
<li>The company's CEO highlighted the success of this experimental approach.</li>
<li>Shows like "Fear the Walking Dead" and "Killing Eve" gained significant exposure on Max.</li>
<li>AMC is not vertically integrated, allowing flexibility in partnerships.</li>
<li>The strategy aims to enhance content visibility and drive subscriptions to AMC+.</li>
</ul>
The Strategy Behind 'Pop-Up' Deals
AMC's recent 'pop-up' deal with Max proved to be a successful experiment. It involved showcasing popular AMC shows like "Fear the Walking Dead" and "Killing Eve" on Max, providing them with a broader audience. This strategy not only increased the shows' exposure but also promoted AMC's own streaming service, AMC+.
Flexibility in Partnerships
One of the key advantages for AMC in this strategy is its independence from vertical integration. This allows the network to collaborate freely with various partners. AMC's CEO emphasized the company's openness to "dance with anyone interested in dancing with us," highlighting their flexible approach to partnerships.
Impact on Content and Subscriptions
The primary goal of these 'pop-up' deals is to present AMC's content on a larger stage. This not only boosts linear viewing but also potentially increases subscriptions to AMC+. The company is keen on leveraging these partnerships to maximize the reach and impact of its content.
Future Prospects and Shareholder Interests
While there are no immediate announcements regarding acquisitions, AMC is positioning itself for various possibilities, including partnerships and future investments. The focus remains on optimizing the business in the best interests of its shareholders.
Technological Integration and Content Expansion
AMC is also working on integrating its various streaming platforms, such as Acorn TV, Shudder, and AllBlk. This integration aims to streamline the user experience across its services. Additionally, the network continues to expand its content repertoire with upcoming shows like "Parish" and new additions to "The Walking Dead" franchise.
Conclusion
AMC Networks' exploration of 'pop-up' streaming deals represents a strategic move to adapt to the changing media environment. By leveraging its independence and focusing on partnerships, AMC aims to enhance its content visibility and drive growth for its streaming service, AMC+. This approach not only benefits the network but also offers viewers more ways to access their favorite shows.

AMC Networks, known for its high-quality original content like "Breaking Bad" and "The Walking Dead," is actively exploring innovative 'pop-up' streaming agreements. This move comes as part of AMC's strategy to expand its reach and adapt to the evolving media landscape.

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AMC Networks Explores New Streaming Horizons with 'Pop-Up' Deals

Key Takeaways:
<ul>
<li>Disney pulls advertising from social media platform X after controversial posts.</li>
<li>CEO Bob Iger addresses legal battle with Florida Governor Ron DeSantis.</li>
<li>Iger expresses concerns over Disney's business prospects in China.</li>
</ul>
<h2>Disney Withdraws from Social Media Platform X</h2>
In a bold move, Disney, led by CEO Bob Iger, has withdrawn its advertising from the social media platform X, formerly known as Twitter. This decision came after the platform's owner, Elon Musk, amplified an antisemitic post, causing concern among various advertisers. Disney, along with other major companies, decided that their association with the platform was not positively reflecting their brand values.
<h2>Legal Battle with Florida Governor</h2>
The article also touches upon Disney's ongoing legal battle with Florida Governor Ron DeSantis. This conflict arose after Disney opposed the "Don't Say Gay" bill in Florida, leading to DeSantis retaliating by stripping Disney World of its special district rights. Iger, who has not yet had direct communication with DeSantis, expressed a desire to engage in dialogue to resolve the issue.
<h2>Concerns Over China Market</h2>
Furthermore, Iger discussed the challenges Disney faces in expanding its business in China. Amidst the strained relations between the United States and China, Iger remains cautious but hopeful about the prospects of Shanghai Disney. However, he acknowledges the increased risks and the sobering reality of the current international business climate.
<h2>Conclusion</h2>
Under Bob Iger's leadership, Disney is navigating through a complex landscape of social responsibility, legal battles, and international relations. The company's recent decisions reflect a commitment to aligning its business practices with its core values, even in the face of potential financial and political challenges.

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Disney's Strategic Moves Under Bob Iger's Leadership

NBC Renews 'Found' and 'The Irrational' for Second Seasons
NBC has announced the renewal of its first-year drama series, 'Found' and 'The Irrational,' for their second seasons, marking a significant move in the network's programming strategy.
Key Takeaways:
<ul>
<li>NBC renews 'Found' and 'The Irrational' for Season 2.</li>
<li>Both shows had episodes filmed prior to the broadcast season.</li>
<li>'Found' and 'The Irrational' performed well on NBC and Peacock.</li>
<li>'Found' follows PR specialist Gabi Mosely, played by Shanola Hampton.</li>
<li>'The Irrational' stars Jesse L. Martin as a behavioral science professor.</li>
</ul>
Early Renewals Amid Industry Challenges
In a strategic move, NBC has renewed both 'Found' and 'The Irrational' for their second seasons. This decision comes at a time when many networks are pivoting to reality series and licensed programming due to the dual strikes affecting the industry. The early production of episodes for both series before the broadcast season has been a boon for NBC, allowing it to continue airing new scripted series.
Impressive Performance on NBC and Peacock
Both series have shown impressive performance metrics. 'Found' became NBC&rsquo;s top launch on Peacock, drawing 10.5 million viewers across platforms in its first week. Similarly, 'The Irrational' garnered 12.1 million viewers across all NBCUniversal platforms in its first 15 days. These numbers indicate a strong viewer interest and the potential for further growth in their upcoming seasons.
About the Series
'Found' revolves around the character of Gabi Mosely, portrayed by Shanola Hampton, a public relations specialist who was once among the over 300,000 missing people of color in the U.S. The series delves into her work with a crisis management team dedicated to finding missing people, while she harbors a chilling secret of her own. The show features a cast including Mark-Paul Gosselaar, Kelli Williams, and Brett Dalton, and is produced by Berlanti Productions and Rock My Soul Productions in association with Warner Bros. Television and Universal Television.
'The Irrational,' on the other hand, follows Jesse L. Martin as Alec Mercer, a world-renowned professor of behavioral science. Mercer's unique expertise and unconventional approach to understanding human behavior lead him and his team through high-stakes cases involving governments, law enforcement, and corporations. The show is based on Dan Ariely&rsquo;s book, "Predictably Irrational," and is produced by Universal Television.
NBC's Commitment to Scripted Content
Lisa Katz, President of Scripted Content at NBCUniversal Entertainment, praised the work of showrunners Nkechi Okoro Carroll ('Found') and Arika Lisanne Mittman ('The Irrational'). She highlighted their flawless execution of vision and the dedication of the cast, producers, and crews, which has resonated with audiences, making these series must-see television on both NBC and Peacock.
Looking Ahead
The renewal of these two drama series signifies NBC's commitment to scripted content, even amidst industry challenges. As 'Found' and 'The Irrational' gear up for their second seasons, fans can expect more captivating storytelling and character development, further solidifying their positions in NBC's robust programming lineup.

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NBC Renews 'Found' and 'The Irrational' for Second Seasons

Shonda Rhimes, the acclaimed creator behind hit series like "Bridgerton," "Grey&rsquo;s Anatomy," and "Scandal," recently shared her insights on the writers' strike and the evolving landscape of television streaming, particularly focusing on her move to Netflix and its broader implications.
Key Takeaways:
<ul>
<li>Shonda Rhimes reflects on her role during the writers' strike.</li>
<li>Rhimes was one of the first to sign a major deal with Netflix in 2017.</li>
<li>Her move was motivated by a desire for creative freedom, not just financial gain.</li>
<li>Rhimes' shift to Netflix marked a significant trend in the industry.</li>
<li>The economics of streaming, according to Rhimes, work well for Netflix but may not for others.</li>
<li>Rhimes currently enjoys a break from narrative programming, exploring documentaries and sports.</li>
</ul>
Context of the Writers' Strike
During a Q&amp;A at The New York Times DealBook conference, Rhimes discussed her experience during the writers' strike. She emphasized her solidarity with fellow writers, particularly those who were more financially vulnerable. The strike was crucial for securing a living wage and future assurances for writers, especially those earning less.
The Netflix Move and Industry Shift
Rhimes' decision to move to Netflix in 2017 was a pivotal moment in the television industry. This move, driven by a quest for creative freedom and the potential for high-budget projects like "The Crown," signaled a significant shift towards streaming services. Rhimes mentioned her conversation with Netflix co-CEO Ted Sarandos, highlighting her desire to focus solely on content creation. Following her, other prominent figures like Ryan Murphy also transitioned to streaming platforms.
Impact on Streaming and Television
Rhimes acknowledged the disruption caused by streaming services in the television landscape, particularly in terms of residuals for writers and actors. She anticipated criticism for catalyzing the industry's move towards streaming but clarified that her decision was not financially motivated. The economics of streaming, as she noted, are uniquely favorable for Netflix but may not be sustainable for other platforms.
Rhimes' Current Viewing Preferences
Interestingly, Rhimes shared that she has taken a break from watching narrative television to give her brain a rest. Her current interests lie in documentaries and sports programming, which she finds more appealing at the moment. This break also helps her avoid external influences on her creative projects.
Conclusion
Shonda Rhimes' reflections offer a unique perspective on the recent writers' strike and the seismic shifts in the television industry due to the rise of streaming services. Her move to Netflix not only marked a personal transition but also a broader industry trend towards streaming platforms. While the economics of streaming are beneficial for some, they present challenges and opportunities for the industry as a whole.

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Shonda Rhimes Discusses Writers' Strike and Streaming's Impact

<h3>Sebastian Stan Cast as Young Donald Trump in 'The Apprentice' Movie</h3>
Key Takeaways:
<ul>
<li>Sebastian Stan to portray a young Donald Trump in the film 'The Apprentice.'</li>
<li>The film, directed by Ali Abbasi, explores Trump's rise in the New York real estate scene.</li>
<li>Jeremy Strong and Maria Bakalova join the cast as Roy Cohn and Ivana Trump, respectively.</li>
<li>The film delves into Trump's mentor-protege relationship with Roy Cohn.</li>
<li>Production for the movie has already commenced.</li>
</ul>
Introduction to 'The Apprentice'
In an unexpected casting choice, Sebastian Stan, known for his roles in the Marvel Cinematic Universe and the Hulu miniseries 'Pam &amp; Tommy,' has been tapped to play a young Donald Trump in 'The Apprentice.' This film, directed by Cannes prize-winning Iranian filmmaker Ali Abbasi, promises to be a deep dive into Trump's formative years in the New York real estate world during the 1970s and 1980s.
A Star-Studded Cast
Joining Stan in this ambitious project are Jeremy Strong, acclaimed for his performance in 'Succession,' and Oscar nominee Maria Bakalova from 'Guardians of the Galaxy Vol. 3.' Strong is set to portray infamous attorney Roy Cohn, a key figure in Trump's early career, while Bakalova will take on the role of Ivana Trump, Donald Trump's first wife.
Exploring Trump's Early Years
'The Apprentice' aims to explore the dynamics of power and ambition in a setting rife with corruption and deceit. It will particularly focus on Trump's relationship with his mentor Roy Cohn, a notorious figure in American legal and political history. This mentor-protege story is expected to chart the origins of what would become a major American dynasty.
Contextualizing the Film's Release
The announcement of this project comes at a time when Donald Trump, the former President of the United States, faces trial in New York for fraud. Despite being under multiple indictments and having been impeached twice, Trump remains a significant figure in American politics, eyeing a return to the Oval Office as the current Republican frontrunner for 2024.
Behind the Scenes
The screenplay for 'The Apprentice' is penned by Gabriel Sherman, known for his bestseller 'The Loudest Voice in the Room,' which inspired the Showtime miniseries of the same name. The film's production team includes Daniel Beckerman of Scythia Films, Jacob Jerek of Profile Pictures, and Ruth Treacy of Taylored Films.
Sebastian Stan's Versatile Career
Sebastian Stan has made a name for himself by portraying a variety of real-life figures. His recent roles include playing Robinhood Markets CEO Vladimir Tenev in 'Dumb Money' and rock musician Tommy Lee in 'Pam &amp; Tommy.' Stan's portrayal of Jeff Gilooly in 'I, Tonya' also received critical acclaim.
Jeremy Strong's Continued Success
Jeremy Strong, currently on his third Emmy nomination for 'Succession,' has a string of successful projects to his name. His recent works include 'Armageddon Time,' 'The Trial of the Chicago 7,' and 'The Gentlemen.' He is also set to appear in a Broadway revival of Ibsen's 'An Enemy of the People.'
Maria Bakalova's Rising Career
Maria Bakalova, who gained prominence with her Oscar-nominated performance in 'Borat Subsequent Moviefilm,' has several projects lined up. She will be seen in the Sofia Coppola-produced drama 'Fairyland' and is also involved in a spy comedy developed by Paramount.
Conclusion
'The Apprentice' is shaping up to be a compelling exploration of Donald Trump's rise to prominence. With a talented cast and a seasoned production team, the film is poised to offer a unique perspective on one of the most controversial figures in recent American history.

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Sebastian Stan Cast as Young Donald Trump in 'The Apprentice' Movie

<h2><a href="https://www.projectcasting.com/blog/category/casting-calls-acting-auditions/">Casting call</a>: A24 feature film seeks background actors for office roles in New Mexico.</h2>
A24, the acclaimed film production company known for its innovative and captivating movies, now offers individuals a unique opportunity to participate in their latest projects. They are casting for background roles, specifically seeking people to portray office workers or levelists. This is a chance for aspiring actors and movie enthusiasts to be part of a cinematic creation by a highly respected production company.
The individuals selected will perform as background actors, playing either office workers or levelists. This role is crucial in adding realism and depth to the film's setting. They will contribute significantly to the movie set's overall atmosphere and authenticity.
<h2>Key Responsibilities</h2>
<ul>
<li style="font-weight: 400;" aria-level="1">Portraying the Part: The primary duty is to act as an office worker or levelist, as directed by the film's script.</li>
<li style="font-weight: 400;" aria-level="1">Following Direction: It's essential to follow instructions from the director and assistant directors to ensure scenes are executed flawlessly.</li>
<li style="font-weight: 400;" aria-level="1">Professionalism on Set: Maintaining a professional demeanor and being mindful of the ongoing filming process and sensitive equipment is key.</li>
<li style="font-weight: 400;" aria-level="1">Punctuality and Preparedness: Actors must be prompt and ready to work as scheduled.</li>
<li style="font-weight: 400;" aria-level="1">Adaptability: As the script requires, flexibility in adapting to various scenarios and settings is crucial.</li>
</ul>
<h2>Requirements</h2>
<ul>
<li style="font-weight: 400;" aria-level="1">Age: Must be at least 18 years of age or older.</li>
<li style="font-weight: 400;" aria-level="1">Transportation: Reliable transportation to and from the set in Santa Fe, NM, is necessary.</li>
<li style="font-weight: 400;" aria-level="1">Work Ethic: The ability to work long hours while maintaining high energy is essential.</li>
<li style="font-weight: 400;" aria-level="1">Experience: Previous acting experience is an added advantage but optional.</li>
<li style="font-weight: 400;" aria-level="1">Availability: A flexible schedule is required, and availability for both days is necessary.</li>
</ul>
<h2>Compensation</h2>
<ul>
<li style="font-weight: 400;" aria-level="1">Rate: The compensation is $104 for 8 hours of work.</li>
<li style="font-weight: 400;" aria-level="1">Overtime: Any additional hours will be compensated accordingly.</li>
</ul>
This casting call presents a fantastic opportunity for those looking to break into the film industry or experience behind-the-scenes movie-making. It's not just about being on camera; it's about being part of a creative process that brings stories to life. Whether you're an aspiring actor or someone who loves the magic of cinema, this opportunity with A24 is a doorway to experiencing the world of filmmaking firsthand.
Interested individuals should ensure they meet all the requirements and are prepared for an engaging and potentially long day on set. This is more than just a job; it's a chance to be part of a story, to watch and learn from professionals, and to see oneself on the big screen in an A24 feature film.
So, if you've ever dreamed of being part of a movie or are curious about the filmmaking process, this is your call to step into the lights, camera, and action of the cinematic world.
&nbsp;
<a href="https://www.projectcasting.com/signup">Join Project Casting to access jobs you can apply to right now.</a>
How to apply?
Check out the casting call breakdown below to audition for a role in the upcoming casting call.
<h2>A24 Feature Film Casting Call for Office Staff</h2>
Job Detail: A24, a renowned film production company, is casting for background roles in an upcoming project. We seek individuals to play office workers or levelists, contributing to the authenticity and atmosphere of our film set.
Job Responsibilities:
<ul>
<li style="font-weight: 400;" aria-level="1">Perform as a background actor portraying an office worker or levelist.</li>
<li style="font-weight: 400;" aria-level="1">Follow directions from the director and assistant directors to ensure scenes are executed as planned.</li>
<li style="font-weight: 400;" aria-level="1">Maintain a professional demeanor on set, being mindful of the filming process and equipment.</li>
<li style="font-weight: 400;" aria-level="1">Be prompt and ready to work as scheduled.</li>
<li style="font-weight: 400;" aria-level="1">Adapt to various scenarios and settings as required by the script.</li>
</ul>
Requirements:
<ul>
<li style="font-weight: 400;" aria-level="1">Must be at least 18 years of age or older.</li>
<li style="font-weight: 400;" aria-level="1">Reliable transportation to and from the set in Santa Fe, NM.</li>
<li style="font-weight: 400;" aria-level="1">Ability to work long hours and maintain high energy throughout the filming process.</li>
<li style="font-weight: 400;" aria-level="1">Previous acting experience is a plus but optional.</li>
<li style="font-weight: 400;" aria-level="1">Must have a flexible schedule and be available for both specified days.</li>
</ul>
Compensation:
<ul>
<li style="font-weight: 400;" aria-level="1">$104 for 8 hours of work.</li>
<li style="font-weight: 400;" aria-level="1">Any additional hours will be compensated accordingly.</li>
</ul>
Interested? <a href="https://www.projectcasting.com/job/a24-feature-film-casting-call-for-office-staff">Apply Now</a>!
You deserve to get discovered. Find more jobs, networking opportunities, and resources on <a href="http://www.projectcasting.com/signup">Project Casting</a>.

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A24 Feature Film Casting Call for Office Staff

Taika Waititi, the acclaimed director behind 'Thor: Ragnarok', recently opened up about his initial reluctance to helm the Marvel film. In a surprising revelation, Waititi admitted that his decision to direct the movie was driven primarily by financial needs, rather than artistic interest.
Key Takeaways:
<ul>
<li>Taika Waititi initially had no interest in directing 'Thor: Ragnarok'.</li>
<li>He accepted the job for financial reasons, needing to support his family.</li>
<li>Waititi viewed 'Thor' as the least popular Marvel franchise.</li>
<li>He had minimal exposure to Thor comics, reading only one or part of it.</li>
<li>'Thor: Ragnarok' became a box office success, grossing $853 million worldwide.</li>
<li>Waititi directed a second Thor film, 'Thor: Love and Thunder', in 2022.</li>
<li>He has stated he will not be involved in a potential fifth Thor film.</li>
</ul>
Behind the Scenes of a Blockbuster
<h3>A Reluctant Decision</h3>
Waititi's candid admission on the SmartLess podcast reveals a different side of Hollywood decision-making. Despite his lack of interest in the Thor franchise and minimal exposure to the comics, Waititi took on the project to provide for his family. This decision highlights the often-overlooked financial pressures even successful filmmakers face.
<h3>Transforming the Franchise</h3>
Despite his initial reluctance, Waititi's direction of 'Thor: Ragnarok' marked a turning point for the franchise. The film, released in 2017, was both critically acclaimed and a commercial success, grossing a staggering $853 million worldwide. It breathed new life into the Thor series, which Waititi considered the least popular in the Marvel Cinematic Universe.
<h3>Moving Forward</h3>
Following the success of 'Ragnarok', Waititi directed 'Thor: Love and Thunder', released in 2022. However, he has expressed his intention to step away from the Thor series, focusing on other film projects instead. His statement dispels rumors of his involvement in a potential fifth Thor movie.
Conclusion
Taika Waititi's journey with 'Thor: Ragnarok' is a testament to the unpredictable nature of the film industry. His initial disinterest, driven by financial necessity, led to a successful reinvention of a Marvel franchise. As Waititi moves on to new ventures, his impact on Thor's cinematic legacy remains undeniable.

Taika Waititi, the acclaimed director behind 'Thor: Ragnarok', recently opened up about his initial reluctance to helm the Marvel film. In a surprising revelation, Waititi admitted that his decision to direct the movie was driven primarily by financial needs, rather than artistic interest.

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Taika Waititi's Candid Revelation on Directing 'Thor: Ragnarok'

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FX/Hulu's acclaimed series "The Bear" is gearing up for its third season, with production slated to begin in early 2024. The show, which has garnered significant attention and critical acclaim, follows the story of young chef Carmen "Carmy" Berzatto, played by Jeremy Allen White.
Key Takeaways
<ul>
<li>Season 3 of "The Bear" is scheduled to start production in late February to early March 2024.</li>
<li>Jeremy Allen White, who plays the lead role of Carmy, shared insights into his character's development.</li>
<li>The series, nominated for 13 Emmys, has been renewed for a third season by FX/Hulu.</li>
<li>White, also starring in the upcoming movie "The Iron Claw," hopes for a season filled with notable guest stars.</li>
<li>The show's cast includes a mix of established and emerging talents, contributing to its unique storytelling.</li>
</ul>
Season 3 Anticipation
Fans of "The Bear" are eagerly anticipating the return of the series, especially to see how Carmy's story unfolds. The end of the second season left viewers with a cliffhanger, as Carmy was locked in a walk-in fridge during a crucial moment in the plot. White expressed his hopes for Carmy's escape in the upcoming season and his excitement for the script's development.
<h2>Star-Studded Expectations</h2>
The series is known for its impressive lineup of guest stars, and White hopes season 3 will continue this trend. He mentioned his desire to see the return of Olivia Coleman's Chef Terry and Jamie Lee Curtis as Momma Donna. White's dream guest stars include Oscar winner Sam Rockwell and Emmy winner John Turturro.
<h2>A Blend of Talent</h2>
"The Bear" boasts a diverse cast, including Ayo Edebiri, Lionel Boyce, and Liza Col&oacute;n-Zayas, among others. The show has been praised for its dynamic storytelling and character development, largely attributed to the strong performances of its cast.
Conclusion
As "The Bear" prepares to return to production, the anticipation among fans and critics alike is palpable. With its compelling narrative, strong performances, and potential for high-profile guest appearances, the third season promises to be another thrilling chapter in the series. Jeremy Allen White's portrayal of Carmy continues to be a focal point, and viewers are keen to see how his journey evolves in the new season.
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Jeremy Allen White | The Bear | Casting Calls

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"The Bear" Season 3 Set for Early 2024 Production; Jeremy Allen White Discusses Carmy's Journey

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<h3>Here are the top 5 most expensive movies ever made</h3>
When it comes to making movies, sometimes studio executives believe the best way to do it is by throwing millions of dollars in hopes of a blockbuster hit.

Sometimes it works. Here is a list of the 5 most expensive movies ever made.

<img class="aligncenter size-full wp-image-19768" src="https://www.projectcasting.com/wp-content/uploads/2013/10/4213614179_ae4d9b6640_z.jpg" alt="Avatar" width="640" height="400" />
<h3>#5. Avatar - $237 million</h3>
James Cameron's Avatar is ranked as the fifth most expensive movie ever made. According to reports, it cost studios $237 million dollars to produce the movie. If you have lived under a rock for the past 5 years, Avatar centers on a paraplegic Marine who is  dispatched to the moon Pandora on a unique mission becomes torn between following his orders and protecting the world he feels is his home.

<img class="aligncenter size-full wp-image-54648" src="https://www.projectcasting.com/wp-content/uploads/2014/08/qGH2i.jpg" alt="qGH2i" width="652" height="417" />
<h3>#4. Harry Potter and the Half Blood Prince - $250 million</h3>
The Harry Potter Series is a huge franchise series for Warner Bros. It helped catapult Daniel Radcliffe's career to immediate stardom. But, in 2009, it costs Warner Bros. $250 million to make it.  Harry Potter and the Half Blood Prince centers on Harry Potter as he begins his sixth year at Hogwarts, he discovers an old book marked as "the property of the Half-Blood Prince" and begins to learn more about Lord Voldemort's dark past.

<img class="aligncenter size-full wp-image-54649" src="https://www.projectcasting.com/wp-content/uploads/2014/08/MV5BODUwMDc5Mzc5M15BMl5BanBnXkFtZTcwNDgzOTY0MQ@@._V1_SX640_SY720_.jpg" alt="MV5BODUwMDc5Mzc5M15BMl5BanBnXkFtZTcwNDgzOTY0MQ@@._V1_SX640_SY720_" width="483" height="720" />
<h3>#3. Spider-Man 3 - $258 million</h3>
Spider Man 3 was supposed to be the biggest releases for the Spider-Man 3 franchise. It was the most expensive Spider-Man ever made and cost studios $258 million to make. Spider-Man 3 centered on a  strange black entity from another world bonds with Peter Parker and causes inner turmoil as he contends with new villains, temptations, and revenge.

<img class="aligncenter size-full wp-image-54650" src="https://www.projectcasting.com/wp-content/uploads/2014/08/Tangled_poster.jpg" alt="Tangled_poster" width="300" height="445" />
<h3>#2. Tangled - $260 million</h3>
Tangled is one of the biggest Disney movies to be released since 'The Lion King'. But, it costs Disney $260 million dollars to make the animated movie come to life. Tangled centered on  the magical story of Rapunzel as she has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

<img class="aligncenter size-full wp-image-54651" src="https://www.projectcasting.com/wp-content/uploads/2014/08/Pirates_3_AWE_Poster_International.jpg" alt="Pirates_3_AWE_Poster_International" width="280" height="415" />
<h3>#1 Pirates of the Caribbean: At World's End</h3>
Johnny Depp's critically acclaimed franchise series 'Pirates of the Caribbean'. It costs Walt Disney nearly $300 million dollars to make the movie happen. But, in a surprising twist, it would have cost Disney even more money if they had Orlando Bloom in the feature film.

What do you think?Discuss this story with fellow Project Casting fans on <a href="https://www.facebook.com/projectcasting">Facebook</a>. On Twitter, follow us at <a href="http://www.twitter.com/projectcasting">@projectcasting</a>.

The 5 Most Expensive Movies Ever Made

<h2>Here are the 10 Most Expensive Movies Ever Made</h2>
Some of the biggest movies in Hollywood are often times the most expensive. While it is true that some smaller budget movies do make a lot of money, often times the most successful movies are the costliest. It is interesting to note that many of the most successful movies ever made cost over $200 million dollars to make.

But, not all expensive movies are major hits. One of the most expensive movies ever made was 'Water World' starring Kevin Costner. The movie did horribly in the box office.

According to IMDB and Box Office Mojo, here are the 10, adjusting for inflation, most expensive movies ever made.
<h3>10. "The Hobbit" (2012): $250 million</h3>
<img class=" wp-image-50919" src="https://www.projectcasting.com/wp-content/uploads/2014/06/The-Hobbit.gif" alt="The Hobbit" width="426" height="244" />

<h3 style="text-align: left;">9. "Avatar" (2009): $261 million</h3>
[caption id="attachment_49542" align="alignleft" width="1000"]<img class="size-full wp-image-49542" src="https://www.projectcasting.com/wp-content/uploads/2014/06/shutterstock_177229865.jpg" alt="Photo Credit: Twin Design / Shutterstock.com" width="1000" height="667" /> Photo Credit: Twin Design / Shutterstock.com[/caption]

8. "Pirates of the Caribbean: Dead Man's Chest" (2006): $263.7 million
<img class="size-full wp-image-50921 aligncenter" src="https://www.projectcasting.com/wp-content/uploads/2014/06/pirates1.jpg" alt="pirates1" width="650" height="432" />

7. "Waterworld" (1995): $271.3 million

<img class="size-full wp-image-50923 aligncenter" src="https://www.projectcasting.com/wp-content/uploads/2014/06/waterworld-dead.jpg" alt="waterworld-dead" width="594" height="250" />

6. "Harry Potter and the Half-Blood Prince" (2009): $275.3 million

<img class=" wp-image-50924 aligncenter" src="https://www.projectcasting.com/wp-content/uploads/2014/06/giphy3.gif" alt="giphy" width="346" height="226" />5. "Tangled" (2010): $281.7 million

<img class="size-full wp-image-50925 aligncenter" src="https://www.projectcasting.com/wp-content/uploads/2014/06/Tangled.jpg" alt="Tangled" width="1920" height="1080" />

4. "Spider-Man 3" (2007): $293.9 million

<img class="aligncenter size-full wp-image-50926" src="https://www.projectcasting.com/wp-content/uploads/2014/06/giphy-11.gif" alt="giphy-1" width="478" height="205" />

3. "Titanic" (1997): $294.3 million

<img class="aligncenter size-full wp-image-50927" src="https://www.projectcasting.com/wp-content/uploads/2014/06/Titanic_poster.jpg" alt="Titanic_poster" width="299" height="432" />

2. "Cleopatra" (1963): $339.5 million

<img class="aligncenter size-full wp-image-50929" src="https://www.projectcasting.com/wp-content/uploads/2014/06/cleopatra.jpg" alt="cleopatra" width="448" height="252" />

1. "Pirates of the Caribbean: At World's End" (2007): $341.8 million

<img class="aligncenter size-full wp-image-50930" src="https://www.projectcasting.com/wp-content/uploads/2014/06/070528-pirates-of-the-caribbean-at-worlds-end.jpg" alt="070528-pirates-of-the-caribbean-at-worlds-end" width="300" height="445" />

Discuss this story with fellow Project Casting fans on <a href="https://www.facebook.com/projectcasting">Facebook</a>. On Twitter, follow us at <a href="http://www.twitter.com/projectcasting">@projectcasting</a>.


Photo Credit: Universal Studios, Disney, Columbia, Paramount, 20th Century FOX, and Warner Bros.

The 10 Most Expensive Movies Ever Made 